Is George Lazenby - A lost and Overlooked Bond?On Her Majesty’s Secret Service is just one of the best Bond stories Fleming ever wrote. And while bringing it to film, EON Productions stuck very closely to the Fleming text. George's only acting experience had been in television commercials. Still, he landed the role after Sean Connery decided to leave the franchise.
The CriticismThere is a lot of criticism swirling about that George Lazenby was a poor Bond, that his acting was terrible, that his characterization of Bond was weak. However, we think that this is misguided. In our opinion, George is one of the lost and overlooked Bonds who deserves more credit than he gets. We think George did a wonderful job as Bond. He was surrounded by an outstanding cast spearheaded by Diana Rigg (Tracy di Vincenzo) and Gabriele Ferzetti (Draco, Tracy’s father). The movie was well done. It has great cinematography and wonderful locations selected in Portugal and Switzerland.
George Lazenby's TalentGeorge Lazenby was a believable, emotional, real-person Bond: much like Fleming wrote Bond. For example, look at the scene at Draco’s birthday party at the bull ring. Bond follows Tracy down the stairs and speaks with her just outside the bull ring. Lazenby's acting is just spot-on, he's a believable guy. He's a guy, not just a spy guy. And when Bond and Tracy are hiding in the barn, and Bond asks Tracy to marry him. We think this is just a perfect scene – well played. Diana Rigg certainly elevates the emotions and acting here. In the last scene, he is cradling his dead wife in his arms in the car after she is killed. George is just outstanding. We believe is a very real Bond. He's a very believable spy who is also a human being. Lazenby gives a very consistent portrayal of Bond throughout this production.
Our Thoughts On George LazenbyLazenby should have continued to do more Bond films, but he received advice from agents or friends that he should move on. And he did. That is too bad because we think he would have been better and better as Bond, and a very solid contribution to the history of the franchise. George Lazenby, at the time of this writing, is still active. He participated in the 50th Anniversary of On Her Majesty’s Secret Service celebration held in Portugal and Switzerland in 2019, and is active on Twitter at https://twitter.com/lazenbyofficial We truly believe that George Lazenby is one of the lost and overlooked Bonds. That is unfortunate because we really liked his performance in the role.
Is Timothy Dalton - a lost and overlooked Bond?After Roger Moore left the Bond franchise having done seven James Bond films, Timothy Dalton stepped in as the next James Bond, for the 1987 film, The Living Daylights. His take on the role was to bring back the Fleming-esque elements of Bond – the blunt instrument of the government – the tough, rough assassin who is dedicated to Queen and Country. The transition from a very light Bond portrayed by Roger Moore, with a more tongue-in-cheek approach, lots of funny quips, more humor than we have seen ion any other Bond – to Timothy Dalton’s Bond was like Evel Knievel leaping across Grand Canyon on a motorcycle – a huge challenge. In short, after seven Bond films with Moore, the viewing public might not have been ready for this take on Bond. Dalton played a very serious James Bond – with few quips, few smiles, and a very hard-nosed focus on getting the job done, and in a way that was a very believable approach to how a spy in the real-world night work. The missions were more down-to-earth too: transporting a defecting spy from the Russians to the British in The Living Daylights, and capturing a South American drug lord in Licence to Kill. This is stuff that really happens in the real world – not dealing with some demented, super-megalomaniacal enemy who wants to rule the world. Although in real life we have some instances of that. We like that “normal” approach to the spy world – which is more realistic. However, we have enjoyed the world domination theme as well in the other films. With Dalton, you can see several things which stand out in his acting:
Facial ExpressionsFor instance, his facial expressions are exactly that – they express a lot to the viewer in just a few short seconds. This is very difficult to do. Some great examples of this are:
- In The Living Daylights:
• Saunders gets killed and Bond runs to his side. A balloon blows in with "Smiert Spionom" written on it. Dalton's angry face says it all - he will retaliate.
• Similarly, during the entire scene with Pushkin in the hotel room where Bond is threatening him with his gun. Dalton has perfect facial expressions and body movement.
- In Licence to Kill:
When Bond finds Della's body
And then finds Felix in the body bag - his face just says it all - terrific acting.
• His facial expression when M is talking to Bond at the Hemingway House, revoking his license to kill is top-notch.
• When Bond tells Sanchez about potential traitors and Sanchez says he was right and got the guy, and Bond says, “Only one?” Again, lots of potential dialogue delivered in a couple of words and great facial communications which substitutes for more line. Perfect.
• In the scene where Sanchez dies. Bond is wounded and bleeding. Sanchez, after saying “You could have had it all” goes up in flames. Examine Bond’s face – you feel the pain, you feel the tension.
Body MovementSimilarly, Timothy Dalton’s body movements are spot on. In other words, he walks, he fights, and he runs just like what we think a normal human being would be like.
- In Licence to Kill:
- When Bond is walking with Hawkins through Mallory Square in Key West on the way to the Hemingway House to meet M. Bond which Bond did not know that's where they were going at the time. However, he moves like a normal person. Natural, walking, and walking.
- And, when he's on the boat with Sharkey going to Wavecrest’s warehouse and research center – again, great facial expressions, and great, natural body movement.
- And, when he gets off the boat at the Barrelhead Bar in Bimini – again, perfect movement, perfect facial expressions, and inside the bar, his face says it all. So powerful.
- In Licence to Kill:
- In The Living Daylights, as above, with the Pushkin scene Dalton's body movement is just what you think it should be. And, as you're watching, you do not think about it. This is the point. This entire scene is Dalton at his best. Love it!