Contributed by: Daniel Silvestri and SpyMovieNavigator.com
Have you ever thought about how events in the real world and other movies could affect and work their way into some of our favorite spy movies? Well, think about it a minute because that’s what we are going to explore today on Spy Movie Navigator. Download our podcast for more details.
At Spy Movie Navigator.com – the Worldwide Community of Spy Movie Fans –we are going to look at this now!
Real-world and spy movies
Let’s start by looking at some of the Bond films – the most successful franchise in all of the spy films and a few others.
The first real fact is, of course, Ian Fleming got the name James Bond from one of his favorite books, Birds of the West Indies, by…. James Bond.
Dr. No was written in 1957 by Ian Fleming, published in 1958, and was his 6th James Bond novel. The movie Dr. No, EON Production’s first Bond movie, came out in 1962. So, here is the first instance of the real world affecting this spy movie:
By 1962, both the Soviet Union and the USA were launching astronauts into space, so far ahead of the theme in the novel where the USA was launching test missiles. In the novel, Dr. No says he is working with the Russians to disrupt American test missiles, in the movie, he is disrupting American space flights. Also, in the movie, both the East and the West have rejected his services, and so he is a member of SPECTRE ( Special Executive for Counter-Intelligence, Terrorism, Revenge, and Extortion), and not working with the Russians. The cold war between Russia (the Soviet Union) and the US in real life was heating up by the time the movie came out, so here, the movie was influenced by real-world happenings.
And, in a subtle nod to life happening, the painting of the Duke of Wellington by Francisco de Goya was stolen August 21st, 1961 from the National Gallery in London. It was still missing when EON Productions was filming No. So, In Dr. No, when Bond is in Dr. No’s
lair, he walks through the lair about to step up a couple of steps, stops and looks at a painting on an easel – it is the Duke of Wellington! So, if you are watching Dr. No and don’t realize the painting he stops to look at is this real-life stolen Duke of Wellington, you just think, ah Bond finds that painting interesting. Once you know the real-life incident, then this adds a brilliant glow to this scene, where the writers for EON Productions were indeed very clever and inventive. By the way, the painting was eventually recovered in real-life and now hangs in Gallery A at the National Gallery in London once again – we saw it there while visiting Gallery # 24 wherein SPECTRE, Bond meets the new Q.
From Russia With Love – 1963 – released in 1963 by EON Productions as their second James Bond film, and Ian Fleming’s 5th James Bond novel published in 1957 (the year the Soviets launched Sputnik, the first man-made satellite), was heavily influenced by the times – and the Cold War. The tensions between the US and the Soviets were at an all-time high. Remember, the Cuban Missile Crisis (the showdown between Russia and the US) was in October 1962, the year EON was filming From Russia With Love. So, once again, EON Productions was brilliant in their release of From Russia With Love!
In addition, check out the book, “For Your Eyes Only – Ian Fleming + James Bond” by Ben Macintyre. Here he tells of the attempt to murder Bond on the Orient Express by SMERSH was based on a US Naval attaché in Romania, Eugene Karp, who was more than likely trying to escape from Russian agents. He boarded the Orient Express in Bucharest in February 1950, and his body was found in a railway tunnel near Salzburg. It was never proven the Soviet assassins did it, but it is highly probable.
Even SMERSH is from the Russian Smyert Shpionam = “death to spies” – and we will see this is The Living Daylights.
Goldfinger – 1964 released in 1964 by EON Productions as their third James Bond film, based on Ian Fleming’s 7th novel of the same name, published in 1959. In the pre-title sequence in the movie (not written in the novel) is James Bond in a wet/dry suit emerging from the water, setting explosives, and then removing his wet suit to reveal a perfectly neat and crisp white dinner jacket, bow tie, etc. Ah, you are thinking like we were thinking – what is the chance of that really happening or being able to happen?!
Well, let’s talk to MI6 about a similar WW-II operation! In an article by David Harrison in April 2010 for The Telegraph, he reveals that a Jeremy Duns, a British writer, was researching a new book. He found out that a Dutch spy used a very similar technique to infiltrate a German-occupied mansion in the Netherlands during WW-II. From the water, he emerged in a wetsuit. Underneath this specially designed wetsuit, he wore the evening wear. His eveningwear would make him look like he belonged, and he could slip past the guards into the party. He was supposed to extract two comrades and escape. Well, Jeremy Duns thinks that a Brit screenwriter, Paul Dehn, who was called in to polish up the Goldfinger script, knew about this WW-II incident because he was a former intelligence officer in WW-II. Hmm! The original script did not have this scene, and, as said, it was not in the novel. He feels it is too much of a coincidence that this scene was written into the screenplay by Paul Dehn, who most certainly was aware of this WW-II operation! True real-life incident put into the movie!
Skipping ahead, at the point in the film where Bond is captured by Goldfinger’s henchmen after another great car chase scene, Bond finds himself strapped to a metal table, as Goldfinger is about to demonstrate his new toy – a laser beam. Here in the film, the laser beam is directed at the base of the table and is guided to rise-up between Bond’s legs, into his crotch and eventually kill him. In the book by Fleming, published March 23 1959, there were no lasers yet – and so this device was a table saw.
The laser was not invented until 1960. And the first working laser was built on May 16, 1960, by Theodore H. Maiman at Hughes Research Laboratories based on the theoretical work of Charles Hard Townes and Arthur Leonard Schawlow. The term laser came to be an acronym for “Light Amplification by Stimulated Emission of Radiation.” Again, EON Productions was brilliant at integrating a real-life happening, the invention of the laser, into this film which was being shot in 1963 for release in 1964. And at the time, this was a very high-tech scene in Goldfinger! We cannot think of another film of any kind using a laser before Goldfinger, so here is another first for EON Productions!
This scene is famous the world over for the laser, and for the dialogue: Bond: “ You expect me to talk?” Goldfinger” “No, Mr. Bond I expect you to die!”
Thunderball – 1965 Thunderball was Ian Fleming’s 9th James Bond novel, published in 1961, and EON Production’s 4th James Bond 007 movie, which opened in 1965. Thunderball probably would have been the first movie produced but there were some copyright issues that were delayed in the settlement. Kevin McClory and Fleming had worked on a script that never made it to production.
Fleming used part of it for Thunderball, and eventually, a settlement was reached. Thunderball is the only early EON production movie where the producers are not listed as Albert R. Broccoli and Harry Saltzman. Here they are listed as Executive Producers (which is a lesser status) and McClory is listed as the producer. Also, McClory got the right to produce his own James Bond film based on his Thunderball contributions and eventually did Never Say Never Again which is basically the same story.
But we digress! In Thunderball SPECTRE is at it again. So, we get away from the US versus the Soviet Union and have this other entity as the enemy again. Remember in Dr. No we were introduced to SPECTRE.
Of course, by 1961 when the novel was published, we had lots of atomic bombs in the world, and there was an arms race between the Soviet Union and the US. So, atomic weapons were on everyone’s minds.
The basis of this story is based on real-life – people were worried about nuclear war and atomic weapons. Here, two atomic weapons are hijacked by SPECTRE who threatens to destroy a major city either in the US or in the United Kingdom. So even though EON Productions did not make this their first Bond film, in 1965 the world was very aware of the threat from major powers building up supplies of nuclear weapons. So, the topic was hot.
The skyhook, which recovers Bond and Domino at the end, is an actual real-life device developed by Robert Fulton for the CIA in the 1950s. By letting up a line from the ground with a self-inflating balloon, a specially equipped plane can fly by and scoop up the line and the one or two personnel it was designed to retrieve. Cool! A real-life gadget at the time.
In 1956, a Soviet cruiser came to Britain, with Nikita Khrushchev on a state visit to Britain. He was the former Premier of the Soviet Union. It was also in 1956 where, Khrushchev said: “We will bury you” while addressing Western ambassadors at a reception at the Polish embassy in Moscow on November 18, 1956. So Soviet/Western relations were not good. So on this visit to Britain, Britain wanted to get a look at this new Soviet ship – some reports say to examine for mine-laying hatches or sonar equipment, and other reports, like from Peter Wright’s book, “Spycatcher,” Britain’s Naval Intelligence wanted information on the potential new propeller system this ship had. So MI6 sent a scuba diver down (actually, two were reported as being sent) and one was a great diver, Lionel Crabb. Crabb never returned from this mission, and a headless, handless body was found 14 months later dressed in the scuba gear he had worn on that date (April 15, 1956). MI6 covered up the mission, saying Crabb was lost in some underwater exercise. Many theories floated about, one being that Soviet sentries were stationed underwater to guard the ship, caught Crabb, cut his air hose and brought him aboard and he later died. Other theories say he was shot underwater by a Soviet sniper.
Now, you will remember in Thunderball, Bond is sent to inspect the hull of the Disco Volante, Largo the villain’s boat. Bond is discovered too by Largos frogmen, as Bond was taking photos of the hull to determine if there was an underwater hatch. Bond, more luck than Crabb, escapes. The photos showed an underwater hatch which leads Bond to think Largo’s entire operation (the theft of the plane carrying to nuclear missiles) might be underwater – including the plane that was hijacked. Is there a connection between the Crabb event and these scenes in Thunderball? The MI6 officer in charge of the Lionel Crabb underwater deployment and mission was Nicholas Elliott – a friend of Fleming’s!
In the 1958 movie, Silent Enemy, (based on a true story) – 2 British battleships are sunk in Alexandria by explosives set under their hulls. The explosives, in real life, were being set by Italian scuba-divers, who were launched from a submarine using what they called, “underwater chariots” – which in Thunderball and other spy movies to come – were the underwater sleds used to transport the bombs, get divers to certain locations underwater, etc.! In real life, they were using these underwater chariots to bring frogmen to the British ships where they would attach torpedoes and mines. The British had to figure this out and stop it – and here, Lionel Crabb (who we mentioned earlier) was in charge of the operation to infiltrate the enemy ship, destroy their capabilities of continuing to blow up British ships! So, in this movie we see real-life events. Of course, we see in The Spy Who Loved Me, Stromberg’s (the villain) ship, the “Liparus,” has underwater bow hatches that capture the Soviet and US submarines (with nuclear weapons aboard).
In the same movie, Silent Enemy, ALSO, there is a great underwater battle of frogmen, cutting breathing hoses and more – just like in Thunderball and additional spy movies to come. The Thunderball underwater scenes, filmed in the Bahamas, were set the standard for future underwater battles, and the potential connections to real-life events from World War 2 make Thunderball underwater hull investigations, and underwater battles with frogmen and underwater sleds even more grounded in reality.
Also, in Thunderball, the jet pack was real and flown by Bill Suiter, who demanded using a helmet which is why Sean Connery as Bond puts on a helmet when he takes off.
Though the movie came out in 1965, Fleming’s 9th novel was published in 1961. And it foreshadowed the threat of the Cuban Missile Crisis to the US Florida cities (like Miami, Cape Canaveral, etc).
You Only Live Twice – 1967 Ian Fleming’s 12th novel published in 1964 (counting the For Your Eyes Only collection of short stories, and it’s the last novel published before his death), and EON Production’s 5th James Bond 007 film which opened in 1967. The movie has little to do with the actual novel. Here, the beginning of the movie depicts the death of James Bond, complete with an obituary in the newspapers. There is a burial at sea for Commander Bond, and when the body sinks to the bottom of the ocean, scuba divers retrieve the body and bring it to the awaiting submarine where it is taken aboard, the wrappings open, only to reveal a live James Bond who quips, “Request permission to come aboard, Sir.”
Thank God Bond is alive – we were worried, right? His death was faked to throw off the enemy . Of course, that means they knew who James Bond was, which is often the case, but that’s another podcast!
The faked death of spies is definitely grounded in reality. Google Arkady Babchenko, faked his own death because being very critical of Vladimir Putin, he was certain that he would be killed by the KGB. In a huge real-life situation in World War-II, Operation Mincemeat (Google it!) the Allies floated the body of a dead man with fake papers identifying him as a Captain who the Germans had been tracking. With papers indicating an invasion of Sardinia Italy and Greece instead of Sicily, to mislead the Germans. Some stories say the fictitious name of the dead man was Captain William Martin, while other reports say the Germans were aware of the supposed dead man and felt he really knew something. Regardless, the deception worked. And the source of the plan came from Rear Admiral John Godfrey and his assistant, Lieutenant Commander Ian Fleming. Yep!
We all remember Henderson, the contact Bond meets in Japan and who has key information, was based on Richard Hughes, a reporter and double agent who worked for Ian Fleming at one point during WW-II. Hughes did a lot of Bond-like things. Hughes spent a great deal of time in Japan. Hence, a great place to film this movie. Google The extraordinary untold Japan story of ‘You Only Live Twice’ by Damian Flanigan, special to the Japan Times. Great story!
“Little Nellie,” the one-man autogiro that Bond flies to do surveillance in Japan was a real-life invention, developed by Ken Wallis, a Royal Air Force guy, in the early part of the 1960s. The one used in the movie was modified, of course.
Of course, the Space Race played a part here too – the US and Soviet Union at the time were racing each other for outer space advantages and achievements. So, SPECTRE capturing Soviet and US space capsules is natural, given the times in 1967, two years before Neil Armstrong and Buzz Aldrin will land on the moon on the US Apollo 11.
On Her Majesty’s Secret Service – 1969 Ian Fleming’s 11th novel, published in 1963; and EON Production’s 6th James Bond 007 movie, showing in 1969. The first Bond movies without Sean Connery, George Lazenby steps in to be Bond and to be bonded – married – to Teresa Di Vincenzo (Tracy) – played by Diana Rigg.
In his mountain-top laboratory, posing as an allergy clinic, at Piz Gloria (Schilthorn, Switzerland Blofeld is brainwashing young women to deliver a chemical agent that will stop plants and animals from reproducing- creating a tremendous food crisis. The setting is spectacular – we have been to Piz Gloria about 10,000 feet up!
In 1968, there was an experiment done by the US Army at Dugway Proving Grounds in Utah. Through a malfunction of a spraying nozzle, a toxic chemical was released and almost 30 miles away, over 6,000 sheep were found dead. There was no definitive connection to the agent released and the sheep deaths, but traces of the toxic chemical were supposedly found on the carcasses. So, draw your own conclusion! So, when OHMSS comes out in 1969, chemical warfare and potential devastation to life through chemicals were very much real.
The Soviet Union was ramping up chemical warfare research, while the US began to downgrade ours. Again, what Blofeld was thinking was not out of the realm of possibility!
Diamonds Are Forever – 1971 Published by Ian Fleming in 1956 as his 4th James Bond novel, EON Productions made it into their 7th James Bond 007 movie, introduced in 1971. Here, Bond – Sean Connery comes back – infiltrates a diamond smuggling ring and prevents Blofeld and SPECTRE from developing a space-based laser weapon with the diamonds that could blow things up. Blofeld was going to sell it to the highest bidder, so Bond had to stop the plot.
So, Ian Fleming writes “Diamonds Are Forever” only 9 years after a woman copywriter for an ad agency wrote “A Diamond is Forever” for a DeBeers ad campaign, in 1947 – and it’s been in DeBeers campaigns ever since! See a great online article on this in the New York Times by J. Courtney Sullivan, May 3, 2013.
The Burton-Taylor diamond, like 69 carats, purchased in 1969 made world-wide news. That, combined with Jacqueline Kennedy’s jewelry (diamonds and emeralds ) in the early 1960s put diamonds on the mind of everyone. Coincidence or great timing by EON, the subject of diamonds was ripe for the 1971 launch of Diamonds Are Forever.
3 Days of the Condor – 1975. Intense movie. Influenced by Watergate (no trust of people in power) and the oil shortages prevalent in the mid-1970s.
Moonraker – 1979 – Moonraker, Fleming’s 3rd novel, was published in 1955. Rockets were just being developed after von Braun’s success with the Germans in World War II. The novel is about a rocket being developed and that will be tested by Drax’s organization, with support of the British government. By the time the movie was made by EON Productions in 1979, the writers had to change the story. It was 1979 and man had already been to the moon and back, the space shuttles were under development, a story about a missile test would not cut it. Trust me, the novel is a great read, and when you consider the times, it was very exciting. So, the first real-life incident to affect this movie was
The story is changed completely, except keeping Hugo Drax as the main villain, because of the rapid development of rockets, manned space flight, the moon landings and the development of the shuttle (which first flew in 1981).
Secondly, the novel plot is a great one but dated for the EON Productions 11th James Bond movie in 1979. EON had originally planned to film For Your Eyes Only after The Spy Who Loved Me (one of my all-time favorite Bond movies). But because of the development of the Shuttle in real life, and the popularity of two of the biggest science fiction films released in 1977, Star Wars (with a second planned for 1980) and Close Encounters of the Third Kind. So, EON Productions, once again being clever and watching the real world and what was successful and popular, moved Moonraker up ahead of For Your Eyes Only to take advantage of the popularity and success of science fiction movies, and actual NASA advancements in space technology.
Also, the concept of a space station, used in Moonraker, was based on real-life as well – the Soviets had Salyut 1 space station in 1971, and the US had Skylab up in 1973.
Once again, real-life influences major elements of the spy film genre!
The Living Daylights– 1987 death to spies, Smert Shpionam. And the idea of a spy defecting, of course, is based on real stuff – spies defect in the real world. In fact, Nikolai Khokhlov was a Soviet spy who defected to the west in 1953 and brought with him all kinds of spy gadgets which we will talk about in a moment.
Licence to Kill – 1989
The whole premise of the film is dealing with a drug lord from South America. In 1972, then President of the United States Richard Nixon said drug abuse was “public enemy number one.” In 1986, President Reagan of the United States called for a “nationwide crusade against drugs.” So, drugs infiltrating and affecting thousands of lives was definitely a popular topic during the decades surrounding the release of Licence to Kill.
So, Franz Sanchez, being a major drug dealer, would have garnered a lot of attention if the Department of the Drug Enforcement Administration knew of his whereabouts. So, the DEA response to Sanchez being tracked to the United States would have warranted the response it got in the movie – and probably a whole lot more.
Mission: Impossible – 1996
Between Goldeneye (1995) and Tomorrow Never Dies (1997) comes the first in the series of Mission: Impossible movies based on the 1960s television show. So, 1996 was a great time to capitalize on the spy movie fans waiting for another Bond movie, and since Bourne Identity was not born until 2002.
The Mission: Impossible TV show, which I loved, certainly had an influence on the creation of the movie. Many fans of the TV series were looking forward to the first movie. While Phelps was the only character kept from the TV series, the mission was to be fresh, full of action and intrigue. The concept of a rogue agent trying to make things right was not new, but this mission was done with passion.
MacGyver-like gadgets, and to some degree sophisticated gadgets, masks and deception all came from the TV show. The original show was more like an O’Henry play, with surprise endings for the bad guys, and Martin Landau (who played Rollin Hand in the original TV series) said when interviewed after the first Mission, the original was not an action-adventure, it was more of a “mind game. The ideal mission was getting in and getting out without anyone ever knowing we were there.” ( quote from, Martin Landau Discusses ‘Mission: Impossible’ Movies(blog), MTV, October 29, 2009. The non-stop action is truly new to the movie.
So, we think the first film of the Mission: Impossible series was influenced by
The TV show, for basic concepts, self-destructing mission messages, music, etc. and
The timing, in between Bond films.
The worldwide locations, like shooting in Prague, was definitely Bond–influenced, as were the opening scenes during the credits, giving glimpses into the action about to unfold.
Of course, the real Cold War spying – going after atomic data, and lists of spies – was a regular mission of spies. Even in 2015, the US CIA was concerned that China had stolen info on US federal employees that might expose the real names of our spies abroad. So, the basic concept of the mission in the first Mission: Impossible movie is very grounded in reality.
The Bourne Identity – 2002. 9/11 made the producers think that the script, with the CIA looking like the bad guy, might be too sensitive for audiences in the aftermath of the attack on the World Trade Center and the Pentagon on September 11, 2001. They actually filmed alternative opening and ending sequences, but when the original was tested with audiences, they seemed to accept it very well, so the alternative opening and closing scenes were relegated to the bonus section of the DVDs (See “Fifteen Things You Didn’t Know About the Bourne Franchise” by Josh Roush, July 29, 2016, online article.
Casino Royale – 2006 – certainly the popularity of Texas Hold’em worked its way into the film, instead of the as-written Chemins de Fer/baccarat game in the Fleming novel. Also, the more realistic approach of The Bourne Identity movie may have influenced Casino Royale to more grounded in basics – although, for a reboot of the Bond franchise, one would think they would stick closely to the novel which, as the first novel, was very straight-forward, with few gadgets, and basic in execution.
Bond on Skis: George Lazenby, who was an avid skier, is the first James Bond in EON Productions films to take to skis, in On Her Majesty’s Secret Service (1969), with many of the scenes filmed in Murren, Switzerland – which we at SpyMovieNavigator have been too! It is about 5,000 feet below Schilthorn (Piz Gloria) where Blofeld’s “allergy research institute” was located in the film. In a night scene, Bond begins to ski down Piz Gloria, and of course is shot at, then pursued by Blofeld’s henchmen on skis. Even Blofeld joins the pursuit, on skis. With flares and machine guns, they pursue Bond – and of course, they know the mountain better than Bond, so they are in hot pursuit. Great chase scene, with well-trained and skilled agents in pursuit on skis.
And in the 1977 Bond film, in the pre-title sequence of The Spy Who Loved Me, we have one of the best snow ski sequences in any spy movie film – in any film for that matter. He gets a message from MI6 saying they need him, while he is sleeping with a woman in an Austrian winter mountain chalet. So he leaves, with a red backpack on his back, and skis. She immediately radios her counterparts to say he is leaving, and we have another ski chase scene, pursuers shooting at him, and at one point, Bond turns around and shoots one of the foreign agents with his ski pole gun. Then he continues, eventually skiing off the mountain with thousands of feet beneath him – only to pop a parachute with the Union Jack to land safely. A great pre-title sequence that has become an iconic scene around the world! Reported filmed in Canada, the stunt man who did this, Rick Sylvester, did this in one take. They had to wait for the weather to be just right, and not too windy. Again, skiing and pursuit by trained assassins on skis.
In For Your Eyes Only, Bond is pursued by sharpshooter skiers and enemy agents on specially equipped motorcycles, with spiked wheels and guns, down the mountain and eventually into a lift heading to a ski jump. Of course, Bond must do the jump, as his pursuers wait at the bottom of the ski jump hill. The pursuit continues again on the special motorcycles chasing Bond on skis., which even includes skiing down a bobsled run.
In AView to a Kill, Bond does it all on snow – from skiing to snowmobiling to riding one of the runners from the snowmobile as a snowboard! Here pursued by a helicopter, snowmobiles, skiers – every well-trained assassin – but he finally escapes and to a British sub disguised as an iceberg. Cool. But he had a talented mob of agents, trained for winter pursuit, behind him all the way.
Of course, even The Living Daylights has a snow pursuit, as Bond and Kara Milovy escape using her cello case as a sled, and cello to steer, they are pursued by trained agents on snow.
SPECTRE has snow scenes as well. So, what is happening here?
In real life, of course, there were and are specialty teams in various military branches throughout the world who are expert at traveling on skis, infiltrating locations on skis, and doing other espionage stuff that very much depends on how well trained they are on skiing and moving through heavy snow conditions.
For example, in WW-II, the U.S. did not have a mountain division in their military. Inspired by the Finnish mountaineer troops, Charles Mynot Dole – who was head of a ski patrol, an Olympic skier, a climber – began the U.S. military ski troops, brought into action just before Pearl Harbor. They trained at 13,000 feet in the Colorado mountains, at – 30 degrees Fahrenheit (-34.4 degrees Celsius) with 90 pounds of gear – just the men, packs and skis – pushed to the limits. This will turn out to be a true “mission impossible” in World War II as this became the 10th Mountain Division of the U.S. Army. They were engaged against the Japanese when Japan invaded two islands off Alaska – Attu and Kiska. Landing in fog and snow, they were able to make the Japanese retreat but confused, our troops were shooting at each other and 18 were killed. They went back for more training, with mock battles, in sub-zero conditions.
They were called upon in 1944 in Italy, where the Allies were bogged down trying to take the Apennine mountains. The 5th Army could not advance towards Germany. Each ridge in the mountains had additional German defenses. The 10th Mountain Division assessed what was needed, decided they had to take Mount Belvedere and to do that had to take Riva Ridge first. 2,000 feet up, steep, 3 – 4 feet of snow. They climbed the unclimbable and took Riva Ridge, and the engineers erected an ingenious tramway to move the wounded and the supplies up and down the mountain. This is the REAL stuff! The pursuing assaults were successful, and the path open to Germany thanks to this 10th Mountain Division – trained to battle in treacherous snow conditions. They prevailed at great cost for the campaign – with 975 killed, 3,871 wounded and 20 prisoners of war. But they prevailed.
In another World War II real life adventure, the Germans controlled a heavy-water plant in Norway, and heavy-water was needed to make nuclear weapons. On February 16, 1943, Operation Gunnerside began. 6 Norwegian commandos were dropped by parachute to join the ‘Swallow’ team on the ground. After a few days of cross-country skiing, they joined the Swallow team. The final assault on the heavy-water plant was set for February 27/28 1943. The Germans controlled the plant and wanted to produce the heavy-water and ship it to Germany. The heavy water plant was protected by mines, lights and more due to an earlier failed raid. The Swallow team, with the 6 paratroopers, ford a winter river in a ravine and climbed a steep hill. They followed a railway track right to the plant – because a Norwegian agent inside the plant supplied a detailed layout of the plant as well as a schedule. This is very much like From Russia With Love, as Bond was to retrieve the consulate plans from Tania.
Except here, it is real life! The team entered the plant by a basement cable tunnel, set explosives and escaped. They left behind a Thompson submachine gun to make it look like British forces did it and not local resistance to avoid reprisals. It worked!
Desperate, the Germans loaded some heavy water on a ferry bound for Germany, and the Norwegian resistance sank the ferry and all the heavy water! Google: Gunnerside.
So, the bottom line is, many of the scenes we have seen in spy movies, and above the Bond movies, have a basis in reality – people are indeed specially trained for these special operations, and so the specially trained personnel in the Bond movies for all the winter pursuits are believable. Some of the stunts are fantastic, but so were some of the real-life challenges that were overcome by the 10th Mountain Division and the Norwegian troops!
Gadgets: Lastly let’s look at gadgets. As we know, gadgets are prominent in the James Bond 007 movies by EON Production, as Q proves quite the inventor. They are also present in the Mission: Impossible series, with masks, high-tech devices like the climbing gloves, the camera glasses in Mission Impossible 1 and so on.
In the Ian Fleming books, gadgets were less prominent. In Casino Royale, the first James Bond 00 novel, there are some gadgets, but spectacular. Le Chiffre carries razors in various places, and one of the high-tech gadgets was a cane that doubled as a gun – which really was how they tried to first kill Bond at the casino table. It goes on in other Fleming novels as well, with underwater equipment, the briefcase in “From Russia With Love” – which is different than what it contains in the movie. But they are there, but less obvious and less of a focus. There really was a Q Branch in MI6, and they came up with gadgets. It was operational at the time Fleming was writing, and run by Charles Fraser-Smith, who Fleming knew.
Again, in this really cool book, “For Your Eyes Only – Ian Fleming + James Bond” by Ben Macintyre, he suggests that Fraser-Smith made things like a hairbrush that has a map and a saw, cameras hidden in cigarette lighters, invisible ink, magnetized matches that could act as a compass, and so on. So, there was real stuff, and that real stuff influenced the movies, and served as a basis of many extraordinary gadgets to come in the films.
We mentioned a defector spy from the Soviet Union who defected to the West, Nikolai Khokhlov. In the same book mentioned above, Macintyre suggests that when Khokhlov came over, he brought a lot of spy gadgets with him, including a miniature revolver that could fire toxic bullets, guns housed in cigarette lighters and lots more – for real!
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Dr. No, EON Productions first James Bond movie based on Ian Fleming’s sixth James Bond 007 novel gets a big YES from movie-goers at the time of release in 1962, and has been a staple of Bond movies ever since.…
Have you ever thought about how events in the real world and other movies could affect and work their way into some of our favorite spy movies? Well, think about it a minute because that’s what we are going to…
Have you ever thought about how events in the real world and other movies could affect and work their way into some of our favorite spy movies? Well, think about it a minute because that’s what we are going to…