Hitchcock spy movie techniques with Tony Lee Moral

Podcast Episode

Hitchcock spy movie techniques with Tony Lee Moral

We talk with the author of the new book "The Young Alfred Hitchcock's Movie Making Masterclass" and discuss how Hitchcock made spy movies.

Do you want to understand the Alfred Hitchcock spy movie techniques? Tony Lee Moral returns to discuss his new book “The Young Alfred Hitchcock’s Movie Making Masterclass“. His book teaches you Hitchcock’s process of making a movie. We discuss these techniques with Tony and apply them to how Hitch used them in making his spy movies.

Some of the topics we examine are how Hitchcock pionered “the wrongfully accused man”, the double chase (or double pursuit), using exotic locations, suave villains, how action and fight scenes are filmed, and of course the MacGuffin, and more. As an example, we look at the Hitchcock quote about spies: “heroes in their own country and villains in the foreign country” and look at how he used this idea in his spy movies.

In addition to looking at where Hitchcock used these techniques, we also discuss where other spy movies have used some of these techniques.

It’s an interesting discussion looking at our favorite movie genre through the lens of the master director. Find out what movies use the Hitchcock spy movie techniques.

You can order Tony’s book here on Amazon or here on Barnes and Noble.

Ideas/Comments? Info@SpyMovieNavigator.com

Website Episode Page: https://bit.ly/3DO6Z9m

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THE MAN WHO KNEW TOO MUCH – Decoded!

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THE MAN WHO KNEW TOO MUCH – Decoded!

Dan and Tom are joined by Bill Koenig of The Spy Command website. We decode both versions of the Hitchcock classic The Man Who Knew Too Much!

 

Mistaken identities! World travelers! Mystery in the middle east! Secrets told, murder plots, kidnappings, and more – all in THE MAN WHO KNEW TOO MUCH!

Join Dan and Tom as they are joined by Bill Koenig of The Spy Command website. We decode both the 1934 and the 1956 versions of this Alfred Hitchcock classic spy movie!

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We examine the following from both the 1934 and 1956 versions of The Man Who Knew Too Much:

  • Alfred Hitchcock’s thoughts on the two versions
  • Charles Bennet’s influence in these and other spy movies
  • The opening sequences
  • Cultural education of the audience
    The important role of the wives in these movies
  • The role of the children
  • Ben’s sleuthing skills
  • Other differences and similarities between the two movies
  • And more ..

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