★★★★ The second James Bond film produced by Albert R. Broccoli and Harry Saltzman. US release date: April 8, 1964. Budget: $2.2 million. Worldwide box office gross: $78.9 million (US domestic gross: $24.8 million; international gross: $54.1 million).[1] Running time: 118 minutes.
The Setup
To exact revenge for the death of their operative Dr. No, SPECTRE chief Ernst Stavro Blofeld assembles a rogues’ gallery of villains to blackmail and murder James Bond (Sean Connery). They include planner Kronsteen (Vladek Sheybal), a master chess player; operations chief Rosa Klebb (Lotte Lenya), a former Soviet master spy; and Grant (Robert Shaw), a blond-pated killer. The bait: a Russian Lektor decoding machine to be turned over to 007 in Istanbul by voluptuous Soviet cipher clerk Tatiana Romanova (Daniela Bianchi). Despite the warnings of his friend and local spy chief Kerim Bey (Pedro Armendariz), Bond is snared in the elaborate trap. Only a rigged briefcase stands between 007 and certain death.
Behind the Scenes
A classic adventure thriller, From Russia with Love was the most serious film in the series until the release of Casino Royale in 2006. Its tone derives from that of Ian Fleming’s original novel, probably his best. With From Russia with Love, Fleming attempted to upgrade the character of Bond and create an incredibly intricate blackmail and murder plot, involving the most dastardly group of villains ever assembled. In that novel’s concluding scene, when Klebb kicks Bond with one of her poison-tipped shoe spikes, it looks like the end of 007. And it actually was supposed to be. Fleming was upset with the disappointing sales of the Bond books at the time, and his intention was to kill off 007 once and for all. It was only through the intervention of American author Raymond Chandler, who was a big Bond fan, that Fleming was encouraged to revive Bond in his next book. Thus, From Russia with Love was grounded in a seriousness that was well preserved in Richard Maibaum’s thoughtful adaptation.
Having scored well with location photography on Dr. No, the producers wisely decided to shoot much of From Russia with Love on location in Istanbul. Casting was particularly effective in this entry. Robert Shaw and Lotte Lenya stole the picture as blond ice-water-in-his-veins assassin Grant and his spymaster Rosa Klebb, respectively. And the charming Pedro Armendariz—in his final film role—brought Kerim Bey to vibrant life.
Like many Alfred Hitchcock classics, which served as inspiration for both Maibaum and director Terence Young, this Bond film has many memorable set pieces, including the gypsy camp where Bond (Sean Connery) witnesses a particularly nasty girl fight and then has to stave off an attack by Bulgarian agents; the assassination of Krilencu (Fred Haggerty), who attempts to exit his apartment through a movie billboard; Tania (Daniela Bianchi) seducing Bond in his Istanbul hotel suite, filmed by a hidden movie crew; the fight on the train between Grant and Bond, probably the best screen fight ever choreographed; and the famous helicopter and motorboat chase that concludes the film. From Russia with Love lacks the humor some fans expect from a Bond film, and the typical 007 gadgets are kept to a minimum. But it’s still one of the best adventure films ever made.
James Bond | Sean Connery |
Tatiana Romanova | Daniela Bianchi |
Kerim Bey | Pedro Armendariz |
Rosa Klebb | Lotte Lenya |
Red Grant | Robert Shaw |
M | Bernard Lee |
Sylvia Trench | Eunice Gayson |
Morzeny | Walter Gotell |
Vavra, the Gypsy Leader | Francis de Wolff |
Train Conductor | George Pastell |
Kerim’s Girl | Nadja Regin |
Miss Moneypenny | Lois Maxwell |
Vida | Aliza Gur |
Zora | Martine Beswick |
Kronsteen | Vladek Sheybal |
Belly Dancer | Leila |
Bulgar Agent | Hasan Ceylan |
Krilencu | Fred Haggerty |
Rolls Chauffeur | Neville Jason |
Commissar Benz | Peter Bayliss |
Mehmet | Nushet Atear |
Rhoda | Peter Brayham |
Major Boothroyd | Desmond Llewelyn |
Grant’s Masseuse | Jan Williams |
Mac Adams | Peter Madden |
Nash | Bill Hill |
Director | Terence Young |
Screenplay by | Richard Maibaum |
Adapted by | Johanna Harwood |
Producers | Albert R. Broccoli |
Harry Saltzman | |
Director of Photography | Ted Moore, B.S.C. |
Orchestral music composed and conducted by | John Barry |
Title song performed by | Matt Monro |
Title Song written by | Lionel Bart |
James Bond Theme written by | Monty Norman |
Art Director | Syd Cain |
Assistant Art Director | Michael White |
Set Dresser | Freda Pearson |
Costume Designer | Jocelyn Rickards |
Wardrobe Mistress | Eileen Sullivan |
Wardrobe Master | Ernie Farrer |
Makeup | Basil Newall |
Paul Rabiger | |
Hairstylist | Eileen Warwick |
Production Manager | Bill Hill |
Assistant Director | David Anderson |
Continuity | Kay Mander |
Second-Unit Cameraman | Robert Kindred |
Camera Operator | Johnny Winbolt |
Location Manager | Frank Ernst |
Istanbul Production Assistant | Ilham Filmer |
Stunt Work Arranged by | Bob Simmons |
Titles Designer | Robert Brownjohn |
Assistant Title Designer | Trevor Bond |
Special Effects | John Stears |
Special Effects Assistane | Frank George |
Editor | Peter Hunt |
[1] “From Russia with Love (1964),” The Numbers, accessed May 19, 2020, https://www.the-numbers.com/movie/From-Russia-With-Love
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