Top James Bond Kills of the Decade: 1960s

Top James Bond Kills of the Decade: 1960s

We all know James Bond has his license to kill.  And he uses it.

This is the first video in our series showing you James Bond’s best kills from each of his movies.   This one covers the seven James Bond movies released in the 1960s.

Seven James Bond movies?  Don’t we mean six? Yes, there were six EON Productions James Bond movies released in the 1960s.  However, a non-EON Productions James Bond movie was produced by Charles K. Feldman and Jerry Bresler was released in 1967. Of course, we’re talking about Casino Royale spoof.

So, in this video we look at James Bond’s kills in DR. NO, FROM RUSSIA WITH LOVE, GOLDFINGER, THUNDERBALL, YOU ONLY LIVE TWICE, CASINO ROYALE (1967), and ON HER MAJESTY’S SECRET SERVICE.

Enjoy “Top James Bond Kills of the Decade: 1960s” here and let us know your thoughts about this video, ideas for future videos, and if we missed any quality James Bond kills in this movie by either leaving a comment below or by dropping us a note at info@spymovienavigator.com.

And, Top James Bond Kills of the Decade: will return with our look at James Bond’s kills in the 1970s.

You can find more videos like this on our YouTube Channel or our website.

The Most Attention-Grabbing Entrances for James Bond – Connery era

Sean Connery’s James Bond attention-grabbing entrances are part of the James Bond lore. The way Connery played Bond gave him a swagger and sometimes a funny quip to go along with it. And, no matter what, James Bond was in charge of the situation.

Let’s look at how Connery gave entrance scenes for James Bond his special touch. From DR. NO to NEVER SAY NEVER AGAIN, Sean Connery set the bar for dynamic James Bond entrances.

So, take a look as we look at Connery’s Bond’s dynamic entrances in all seven of his James Bond movies, from DR. NO to NEVER SAY NEVER AGAIN.  You’ll “be in the know”

You can check out all of our podcast episodes on your favorite podcast app or our website. Our channel name is CRACKING THE CODE OF SPY MOVIES.

Ideas/Comments on this video, Sean Connery’s James Bond attention-grabbing entrances? Mail us at:  Info@cracking-the-code-of-spy-movies.com

See more of our videos on our website or on our YouTube channel.

Mark Cerulli on The Making of Goldfinger and Thunderball

Mark Cerulli is a writer, producer, and director who helped create the “Making Of” series giving us the behind the scenes look at GOLDFINGER and THUNDERBALL.

Mark tells us how the series was made, behind the scenes stories, his interactions with Sean Connery, and much more.

Mark also discusses his documentary BY DESIGN: THE JOE CAROFF STORY.   We KNOW every James Bond fan is familiar with Joe Caroff’s work.  Yet, you probably have never heard of him.  Mark fills you in on Joe’s major contributions to the James Bond movie franchise as well as other places you will have seen Joe’s work.   The documentary is available for streaming on MAX.

Finally, Mark discusses his upcoming movie, AREA 5150.  This is the first full-length movie that Mark Cerulli has written and produced.

So, have a watch and you’ll “Be in the Know”. We had a lot of fun with this interview.

You can check out all of our videos on our YouTube Channel or on our website.

Ideas/Comments? Info@cracking-the-code-of-spy-movies.com 

Mark Cerulli on The Making of GOLDFINGER and THUNDERBALL

Podcast Episode

Mark Cerulli on The Making of GOLDFINGER and THUNDERBALL

Mark Cerulli wrote or co-produced the MAKING OF series for the James Bond movies GOLDFINGER and THUNDERBALL. Watch as he tells us the story.

Mark Cerulli is a writer, producer, and director who helped create the “Making Of” series giving us the behind the scenes look at GOLDFINGER and THUNDERBALL.

Mark tells us how the series was made, behind the scenes stories, his interactions with Sean Connery, and much more.

Mark also discusses his documentary BY DESIGN: THE JOE CAROFF STORY.   We KNOW every James Bond fan is familiar with Joe Caroff’s work.  Yet, you probably have never heard of him.  Mark fills you in on Joe’s major contributions to the James Bond movie franchise as well as other places you will have seen Joe’s work.   The documentary is available for streaming on MAX.

Finally, Mark discusses his upcoming movie, AREA 5150.  This is the first full-length movie that Mark Cerulli has written and produced.

So, have a listen and you’ll “Be in the Know”. We had a lot of fun with this interview.  

You can check out all of our podcast episodes on your favorite podcast app or on our website. Our channel name is CRACKING THE CODE OF SPY MOVIES.

Ideas/Comments? Info@spymovienavigator.com

Website page: https://bit.ly/44XruL5

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James Bond’s SKYFALL Pre-Title Sequence Decoded!

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GOLDFINGER – Oddjob Character Spotlight, played by Harold Sakata

Podcast Episode

GOLDFINGER – Oddjob Character Spotlight, played by Harold Sakata

In our GOLDFINGER - Oddjob Character Spotlight, we dig deeply into - superbly and memorably played by Harold Sakata.

GOLDFINGER – Oddjob Character Spotlight: Today we dig deeply into the character of Oddjob  in GOLDFINGER – superbly and memorably played by Harold Sakata!

GOLDFINGER set the standard for the James Bond formula. Oddjob is a character that must be placed in our Character Spotlight, as Harold Sakata’s portrayal of Oddjob is flawless.

Yes, he’s one of the James Bond series most notorious henchman, he doesn’t speak, and he’ll do anything so support his boss, Auric Goldfinger. So, how does Harold Sakata make sure you, the audience member, knows he’s menacing? Sakata’s portrayal of Oddjob gives us an excellent example as to how this should be done.

We look at the various expressions Harold Sakata uses in different scenes in GOLDFINGER. In addition, we’ll talk through how they gave us the first look at Oddjob. Just like the slow reveal of new James Bond actors or the first time we see Quarrel in Dr. No, Oddjob doesn’t just appear on the screen front and center. It is a powerful way to introduce us to this important character.

Plus, we talk about some of the differences between Oddjob’s portrayal in the movie GOLDFINGER versus how he’s portrayed in Ian Fleming’s novel.

Finally, we discuss Harold Sakata’s background and why he was a great choice to play Oddjob. And was there a bet involved in helping him get the role?

So, have a listen and you’ll “Be in the Know”. Get up to date on all things spy movies and series.

You can check out all of our podcast episodes on your favorite podcast app or on our website. Our channel name is CRACKING THE CODE OF SPY MOVIES.

So, enjoy our GOLDFINGER – Oddjob Character Spotlight, played by Harold Sakata episode. We’ll continue the series looking at the actors and roles that help shape spy movies and deserve an encore!

Ideas/Comments? info@spymovienavigator.com

Episode page: https://bit.ly/3sNgnae

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YOU ONLY LIVE TWICE – Pre-Title Sequence Decoded

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What Ever Happened to the GOLDFINGER Jetstar plane?

The GOLDFINGER Jetstar was used as the private jet for the James Bond movie, Goldfinger.  It was where James Bond first met Pussy Galore.  It was also used as the military jet that was to take Bond to Washington D.C.

So, what happened to this plane after the movie? Is it still around? If so, what does it look like?

Well, the Ian Fleming Foundation has obtained this plane and is actively restoring it. The plane was in very bad condition when the Foundation obtained it.

Watch as Steve Targosz tells us the fun story behind what the Ian Fleming Foundation is doing with the plane for the restoration.  The detail behind what they are doing is fascinating.

The GOLDFINGER Jetstar is just one of the vehicles the Foundation has.  Check out their website to see more of the James Bond movie-used vehicles they have acquired.

Check out our other videos on our website.

8 James Bond Movies Discussed by Worldwide Community of Spy Movie Fans!

Podcast Episode

8 James Bond Movies Discussed by Worldwide Community of Spy Movie Fans!

Join Dan, Vicky, and Tom as they talk with four members of the SpyMovieNavigator's Worldwide Community of Spy Movie Fans Facebook group about their favorite James Bond movies.

Join Dan, Vicky, and Tom as they talk with four members of the SpyMovieNavigator’s Worldwide Community of Spy Movie Fans Facebook group about their favorite James Bond movies.

The topic of today’s discussion:  Tell us your two favorite James Bond movies.  The catch is both of their choices need to have a different actor playing James Bond.

This led to a lively discussion and all six James Bond actors to date are discussed.

Click on the Episode notes to see which movies they chose.

You can leave us a comment here or click the red button to the right to leave us a voicemail message.

Four of our Facebook Group discuss Eight James Bond Movies!

Here is the list of the fans on the podcast along with the movies they discuss and where they are located:

  • Scott Winterroth: (Chicago)
    • The Spy Who Loved Me
    • Tomorrow Never Dies
  • David Lippiatt: (Scotland)
    • From Russia With Love
    • The Man With The Golden Gun
  • Lindsey Cancino: (Bahamas)
      • Goldfinger
      • Skyfall
  • Bryan Herr: (Seattle)
      • On Her Majesty’s Secret Service
      • Licence to Kill

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Join Dan, Tom and Vicky as we dig for the gold in the pre-title sequence of GOLDFINGER!

Drug Lords! Latin America!  Miami Beach! Seagulls! Nitro!  Grappling hooks! Ramirez! Plastic explosives!  Dr. No?!  Tuxedos and dry suits and the Dutch resistance!

Subscribe to our Cracking the Code of Spy Movies show right now!  And to our YouTube channel of the same name!   Join the fun – we’ve been expecting you!

Leave us a comment either on our website,  send us an email at info@spymovienavigator.com, or send us a voice mail by hitting the red button on the right that says
Send Us A Voicemail.


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All That Glitters – the Gold in Goldfinger – Part 1

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GOLDFINGER – Pre-Title Sequence Decoded!

Podcast Episode

GOLDFINGER – Pre-Title Sequence Decoded!

Join Dan, Tom and Vicky as we dig for the gold in the pre-title sequence of GOLDFINGER!

Join Dan, Tom and Vicky as we dig for the gold in the pre-title sequence of GOLDFINGER!

Drug Lords! Latin America!  Miami Beach! Seagulls! Nitro!  Grappling hooks! Ramirez! Plastic explosives!  Dr. No?!  Tuxedos and dry suits and the Dutch resistance!

Subscribe to our Cracking the Code of Spy Movies show right now!  And to our YouTube channel of the same name!   Join the fun – we’ve been expecting you!

Leave us a comment either on our website, send us an email at info@spymovienavigator.com, or send us a voice mail by hitting the red button on the right that says
Send Us A Voicemail.

Our discussion of the Goldfinger pre-title sequence looks at:

  • The tie-ins of the pre-title sequence to the rest of the movie
  • The use of sound to take us into the environment of the scene
  • The seagull headgear and where fake animals have been used a camouflage in other Bond movies.
  • How did that gun that fired the grappling hook work?
  • Bond’s leather shoes
  • The wonderful Ken Adam set and its links to Dr. No
  • Bond’s facial expressions
  • The white dinner jacket and its subsequent use in a Steven Spielberg movie.
  • How the dinner jacket was inspired by a real agent named Peter Tazelaar
  • and more …

 


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Gadgets FRWL & Goldfinger – Can You Believe it?

Podcast Episode

Gadgets FRWL & Goldfinger – Can You Believe it?

Join Tom, Dan and Vicky as they take apart the gadgets in From Russia With Love and Goldfinger - and determine whether we can believe in the gadget or not!   Fun stuff!

 

Join Tom, Dan and Vicky as they take apart the gadgets in From Russia With Love and Goldfinger – and determine whether we can believe in the gadget or not!   Fun stuff!

This is our third podcasts on Gadgets in Spy Movies. Our other Gadget podcasts were on the following and can be found by clicking the links below:

  • Dr. No and Skyfall
  • On Her Majesty’s Secret Service & Live and Let Die

 

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You can reach us at info@SpyMovieNavigator.com or leave us a voice mail by pressing that red button on the right.

Today’s podcast drilled into the following gadgets:

From Russia With Love

  • Donald “Red” Grant’s garrote watch that he uses to strangle the James Bond look-alike
  • The mask on the James Bond look-alike
  • James Bond’s pager
  • James Bond’s car phone (in 1963, no less)
  • The flame thrower at the training camp
  • The Lektor decoding machine
  • and more…

Goldfinger

  • Seagull scuba mask
  • The laser that Goldfinger wants to use to kill James Bond. “No Mr. Bond, I expect you to die.”
  • The tracking device
  • The Aston Martin DB 5’s modifications
  • Using a nuclear bomb to render the gold unusable for 58 years
  • Oddjob’s hat
  • and more…

 

 


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Gadgets in James Bond’s THUNDERBALL Decoded!

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James Bond’s A VIEW TO A KILL – Pre-Title Sequence Decoded!

Join agents Dan, Tom and Vicky as they decode and uncover new discoveries and connections in the pre-title sequence to A View to a Kill!

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Lasers have been used in lots of spy movies. They can enhance a scene and are often used as cutting or security devices.  For instance, the first use of a laser in a spy movie is in the third James Bond movie, Goldfinger.

Who developed the first laser?   We’ll cover that to understand the timeline of this awesome technology.  After that, we discover how different movies influenced each other with the use of lasers!

We’ll look at key scenes from many spy movies:

  • Goldfinger and many other Bond movies
  • Get Smart
  • Mission: Impossible (1996)
  • Entrapment
  • Murderer’s Row
  • Spies Like Us
  • Austin Powers in Goldmember)

We see lasers in scenes from all of these spy movies.


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Mission: Impossible (1996)

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All That Glitters – the Gold in Goldfinger – Part 1

Join Tom and Dan as we go gold mining for the unique elements and special highlights of Goldfinger, and how other spy movies and real-world events affected Goldfinger, in the James Bond podcast, All That Glitters – the Gold in…

All That Glitters – the Gold in Goldfinger – Part 2

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Mission: Impossible Vault Scene

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All That Glitters – the Gold in Goldfinger – Part 2

Podcast Episode

All That Glitters – the Gold in Goldfinger – Part 2

Join Tom and Dan for part 2 as they go gold mining for the unique elements and special highlights of Goldfinger, and how other spy movies and real-world events affected Goldfinger, in the James Bond podcast, All That Glitters – the Gold in Goldfinger!

From a listener: “You’re the men with the midas touch, engaging & fun, as always!” – Eddie

GOLDFINGER was one of producer Cubby Broccoli’s favorite Bond films – top 3 of the 17 he produced.

Join Tom and Dan as they go gold mining for the unique elements and special highlights of Goldfinger, and how other spy movies and real-world events affected Goldfinger, in the James Bond podcast, All That Glitters – the Gold in Goldfinger!

This is Part 2 of a 2-part podcast!

Come join us on all of our podcasts as we’re Cracking the Code of Spy Movies!

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Goldfinger was one of the most loved James Bond movies of all time!
We have a 2-part podcast on Goldfinger, and here are the Episode Notes for Part 2.

Listen to All That Glitters – the Gold in GOLDFINGER – Part 1 and remember to Subscribe to our show, Cracking the Code of Spy Movies so that you are always up to date on new episodes!

Goldfinger Part 2 Episode Notes

  • “No. Mr. Bond I expect you to die,” three noteworthy facts, and history of real lasers! Do you know the laser was invented?   You will!
  • “My name is Pussy Galore” and Goldfinger’s Lockheed Jetstar discussions!
  • “A martini, shaken not stirred” fact!  Sean Connery fact!
  • “Operation Grand Slam “and Mob Bosses insights! Great Ken Adam set!
  • Mr. Solo heads to his pressing engagement insights! Oddjob in control!
  • The iron and metal yard where the Lincoln and Solo are crushed – key points
  • SpyMovieNavigator recently followed the route Oddjob takes, the Kentucky Friend Chicken where Leiter and Simmons are waiting to track Bond, and the iron and metal yard – we filmed them all (see videos) and discuss this too.
  • The Auric Stud Farm where Bond discovers Goldfinger’s real plans for Fort Knox
  • Rock A Bye Baby – The Baby is asleep assault on Fort Knox discussion
  • Bond versus Oddjob at Fort Knox talk? Who was injured filming this?
  • Bond to Washington, D.C. and Goldfinger plays his Golden harp talk!
  • How other  James Bond films relate past and future!

Listen to our other James Bond podcasts, from Dr. No to Billie Eilish and No Time To Die!


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Watch the Video Version of this podcast Join Dan and Tom for Part 2 as they take a deep dive into the James Bond 1965 film, THUNDERBALL, starring Sean Connery, Claudine Auger, Adolfo Celi.

Keep current! Join Our Email List

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All That Glitters – the Gold in Goldfinger – Part 1

Podcast Episode

All That Glitters – the Gold in Goldfinger – Part 1

Join Tom and Dan as we go gold mining for the unique elements and special highlights of Goldfinger, and how other spy movies and real-world events affected Goldfinger, in the James Bond podcast, All That Glitters – the Gold in Goldfinger! This is Part 1 of a 2-part podcast!

 

From a listener: “You’re the men with the midas touch, engaging & fun, as always!” – Eddie

GOLDFINGER was one of producer Cubby Broccoli’s favorite Bond films – top 3 of the 17 he produced.

Join Tom and Dan as we go gold mining for the unique elements and special highlights of Goldfinger, and how other spy movies and real-world events affected Goldfinger, in the James Bond podcast, All That Glitters – the Gold in Goldfinger!

This is Part 1 of a 2-part podcast! Look for Part 2!

Come join us on all of our podcasts as we’re Cracking the Code of Spy Movies!

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All That Glitters – The Gold in Goldfinger – Part 1,

Episode Notes:

Goldfinger is one of the best-loved James Bond films of all time!

Goldfinger Part One Episode Notes: the following topics are discussed in this episode!  Take a listen now to the All That Glitters – the Gold in Goldfinger Part 1 now and remember to Subscribe to our show through your favorite podcast app!

  • Of the 17 James Bond 007 films that Albert “Cubby” Broccoli produced, one of his three favorites was box office GOLD, namely Goldfinger!
  • Pre-title sequence: James Bond exits the water in a dry-suit, with a duck affixed to his dry suit hood, as a decoy. But, after he blows up the nitro barrels and the drug lab successfully, he unzips the dry to suit and removes it to reveal that he is wearing evening wear complete with bow tie and carnation. Impossible right?  We tell you why it IS possible and who actually did it!
  • Title Sequence: who designed the Goldfinger title sequence and the Goldfinger posters, and what are the important things the sequence shows, and poster discussion
  • The Fontainebleau scene and which actors really made it to Miami Beach, Florida for these scenes?
  • The Bond/Goldfinger relationship is established over the “Golden Girl!”
  • Discussion of SpyMovieNavigator’s recent trip to the Fontainebleau in Miami Beach Florida and what has changed!
  • “Golden Girl” discussion and implications!
  • The Gold in Goldfinger is everywhere. . .
  • Discussion of the golf match between Bond and Goldfinger and SpyMovieNavigator’s recent visit to Stoke Poges Club in Stoke Park where these scenes were filmed! Fabulous!
  • DB5 car chase and death of Tilly Masterson discussion – DB5 details, and the emotional side of Bond discussed, and sound effects discussed

 

 

 

 

 


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In the 1964 movie, GOLDFINGER, Oddjob leaves the Auric Stud farm with Mr. Solo in the back seat.  Mr. Solo thinks he’s headed to the airport.  Oddjob has other plans.

These scenes, which supposedly depict Kentucky, were actually shot in Miami, Florida in the USA. Join us as we follow their path while juxtaposing what the scene looked like in 1964 with the view today.


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Goldfinger

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Goldfinger – Miami Iron and Metal Company

Come with us as we see where Oddjob takes the car with Mr. Solo to get crushed in Goldfinger. We'll see what it looks like now.

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All That Glitters – the Gold in Goldfinger – Part 1

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All That Glitters – the Gold in Goldfinger – Part 2

Join Tom and Dan for part 2 as they go gold mining for the unique elements and special highlights of Goldfinger, and how other spy movies and real-world events affected Goldfinger, in the James Bond podcast, All That Glitters –…

Examining Ian Fleming’s Original James Bond Manuscripts – Part 1

Podcast Episode

Examining Ian Fleming’s Original James Bond Manuscripts – Part 1

Join Dan and Tom for Part One of their journey to The Lilly Library at Indiana University in the USA, as they examine, in-person, all of these wonderful James Bond masterpieces, gaining some insight into the novels and into Ian Fleming’s way of writing!

Dan and Tom of SpyMovieNavigator.com had the privilege of examining 11 of Ian Fleming’s original James Bond manuscripts – his actual typed pages, with hand-written edits in the margins, crossed-out sections, add-ins and more!  You can see where he changes a name that we all know, and then – there it is in the final published version of the novel!
Come with us to The Lilly Library at Indiana University in the USA, as we examine, in-person, all of these wonderful James Bond masterpieces, gaining some insight into the novels and into Ian Fleming’s way of writing!
This is Part one, covering Casino Royale to From Russia With Love, of a 2-part series!  Look for Part 2 as well!”

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Ian Fleming and the Lily Library 

The Ian Fleming Manuscripts!  Bond from the Page to the Screen! 

How would you like to touch and examine the actual pages that Ian Fleming typed when writing his James Bond novels?  Well, we did and here’s our story! 

Hi, this is Dan Silvestri and Tom Pizzato from SpyMovienavigator.com – the Worldwide Community of Spy Move Fans – spy movie podcasts, videos, discussions and more!  If you like our podcasts, please give us a 5star rating on iTunes and in Google Play – that helps us a lot!  Like us on Facebook, Follow us on Twitter and on Instagram too.  And when you have feedback, an idea for a podcast, something you want to say – just click the red button on our website that says “Send us a Voicemail”, or send us a message and we may include it on our show! 

We like traveling, hunting down spy movie filming locations and other significant places that played a part in spy movies.   Like, when we were in London not too long ago, we stood on the steps, and at the door of Les Ambassadeurs in London.   Of course, we know that is the casino that Bond is playing baccarat in at the beginning of Dr. No – where we first meet Bond on film, and with his now-famous, “Bond. James Bond” introduction to Sylvia Trench and all of us!  It’s also when Ian Fleming met with some of the EON folks early on to solidify a deal to turn the books into films.  

Well, how about visiting a place that owns 11 of Ian Fleming’s James Bond novels?  Type-written pages that he typed at Goldeneye in Jamaica!  With Ian Fleming’s hand-written notes, deletions and additions, edits in blue ink?  Well, Indiana University in the State of Indiana in the United States has a special library called, The Lilly Library – and they have the manuscripts!   

The maddening thing is that this is where I got my undergraduate degree.  I knew the library existed and that is was a rare book library.  I knew it had part of the Gutenberg Bible.  They have the letter with George Washington accepting the first presidency of the United States.  I just knew it as a rare book library and never went in there in my four years of study.  Now I find out it had 11 James Bond manuscripts typed and hand-written by Ian Fleming?   What better reason to go visit my alma mater, read the manuscripts and get a chance to see if Mother Bear’s pizza is still as good as I remember (it is). 

Only a fourhour ride for us, we drove down and spent a day and a half pouring over all 11 of the manuscripts.   We photographed every page of Casino Royale, the first novel.   We are trying to get permission to post some of these pictures.   We were able to turn the pages of each manuscript with ungloved hands – touching the very pages that Fleming typed in his typewriter in Jamaica.  And examining every edit he made in all 11 manuscripts.  

This was a thrill beyond belief!  If you are a spy movie fan, and especially as a James Bond fan, we would highly recommend this.   When we drove down there, parked the car in the nearby Student Union parking lot, and were walking to the door of the library, our hearts were racing!  We walked in, signed in, and went into the special room where they brought the manuscripts – from the vault!  SpyMovieNavigator was about to examine in person, the original manuscripts! 

One quick note:  you need to make a reservation for the reading room which you can do online at https://libraries.indiana.edu/lilly-library . You request what you want to read.   We allocated a day and a half and really could have used 3 – 4 days in order to go page-by-page with the manuscript and the published book.  

They brought each manuscript out, 2 at a time – one for Dan and one for Tom.  They set then on foam rubber stands that allowed the book to sit there, opened, on an angle so you can read, and easily turn the pages.   We were not allowed to pick up the books, and of course, not to make ANY marks on these valuable pages.    

Here are the manuscripts that they have.   Now, keep in mind, there may be other editions of these drafts – because there were some things in other drafts that made it into the books, and so on.   The only novel they don’t have is his last one, The Man With The Golden Gun. They don’t have Thunderball either, but that was based on a screenplay that was credited to Kevin McClory, Jack Wittingham, and Ian Fleming.  But that’s a different story we won’t go into this podcast, maybe a later one. 

Here are the 11 they have and we examined: 

  • Casino Royale published 1953  (21st  Movie: 2006) 
  • Live and Let Die – published 1954 (8th Movie: 1973) 
  • Moonraker – published 1955 (11th Movie: 1979) 
  • Diamonds are Forever – published 1956 ( 7th Movie:1971 ) 
  • From Russia With Love  published 1957 (Second Movie: 1963) 
  • Dr. No – published  1958 (First Movie: 1962) 
  • Goldfinger – published 1959 (3rd Movie – 1964) 
  • For Your Eyes Only – published 1960 (From A View to a Kill).  (12th Movie – 1981) 
  • Also part of this short story set: Death Leaves an Echo, Quantum of Solace, Risico 
  • The Spy Who Loved Me – published 1962 (10th Movie: 1977)  
  • On Her Majesty’s Secret Service – published 1963 (6th Movie – 1969) 
  • You Only Live Twice – published 1964 (5th Movie: 1967) 

Fleming used a lot of inserts to make changes.  Sometimes these would be written on the back of the previous page.  Other times they were typed and either inserted or pasted on the page. 

 We’re just going to go through a few of the highlights of paging through these manuscripts, book by book.   We can talk for a couple of hours about this great outing! 

Casino Royale published 1953  (Movie – 1962) 

  • The first page of the book and the manuscript have some slight differences so this isn’t the last manuscript. Many edits in all of the books handwritten by Ian Fleming.  
  • Fleming liked to name people in his books with names similar to real-life people.  Therefore, in the manuscripts, there are some name changes.  The first change is actually a company name change.  Messrs. Lascelles de Mercado was changed to Messrs. Caffrey.  It is interesting to see these as he had to go through other references to those names and change them too.  This was before cut/paste, Word, WordPerfect, Word processors, or even Wite-Out.  
  • What do you think, Petty?  Petty is scratched out.  Hand-written by Fleming is the word: “Penny.”   A couple of sentences later, Miss Pettavel is scratched out, and hand-written in its place is Miss Moneypenny!   OMG!  This is where it happened – right on this page!  Significant name change! 
  • The person who he modeled Pettavel after was based on Kathleen Pettigrew who was the personal assistant to the real-life MI6 director. 
  • CHECK FOR A VERSION RELEASED IN 2013 where Fleming had Bond as the real name, but James Secretan as his real name.  From an article by Susanna Lazarus, April 15th, 2013.  On page 59 in the version we have examined, he says his name is Bond! This isn’t until chapter 7. https://www.dailymail.co.uk/news/article-2309144/The-names-Secretan–James-Secretan-Early-Ian-Fleming-draft-reveals-nearly-chose-different-007.html  
  • Bentley details: changed it to an almost new 1933. 
  • The Bitch is dead – it’s in there! 
  • Vesper Martini – ingredients described 
  • In describing a member of SMERSH, the name “Maxim Gorki” is changed to “Trotsky” and gives an assassination date of August 22, 1940.  There was a real-life Russian Revolutionary named Leon Trotsky who was killed in Mexico.  Actually, the attack came on Aug 20th and Trotsky died on the 21st.  There was a Russian writer named Maxim Gorky who died in 1936.   

 

Live and Let Die – published 1954 

  • Title page IN RED INK: “The Undertaker’s Wind”, which is scratched out in blue ink, and above it printed in blue ink: “Live and Let Die”.   “Live and Let Die was also written in on the left side of the title page and scratched out.    
  • 134 manuscript pages Bond in America – because he did well with the CIA in the Casino job (Bond handling the Jamaican end for the British) 
  • All the gold coins minted before 1620.  Over 1000 have shown up in the US in the last few months 
  • Mr. Big stands for Buonaparte Ignace Gallia.  Plus he is huge height and bulk.  This was added to the story as an insert at x on page 11`.  Chapter 3 
  • There is a hand-written insert for Page 18,  “and don’t go stirring up a lot of trouble for us.  This case isn’t ripe yet.  Until it is, our policy with Mr. Big is “live and let live.”  Bond looked quizzically at Dexter.  “In my job,” he said, “when I come up against a man like this one, I have another motto.  It’s ‘live and let die.”   This is cool because this is an edit to the story and now a big part of it! 
  • Description of Solitaire page 36 
  • Solitaire: Her real name was added as a written in the edit by Fleming at the top of page 53: to Bond: “I will just tell you my real name.   It is Simone Latrelle, but you can call me what you like.” 

 

From Russia With Love  published 1957 

  • Puts chapter titles 
  • Donovan Grant – the result of a midnight union between a German professional (The Mighty O’Donavanweight lifter and a Southern Irish waitress (Grant).  Behind a circus test just outside of Belfast.  Page 11 in the original manuscript 
  • Lots of background details on Grant and his life.  Kills Dr. Baumbartner as a test.   Then put into training for Russians.  He was an advanced manic depressive.  He carried out many executions for the soviets 
  • Head of SMERSH was General Brubozabou – schikovknow as G. 
  • Soviets agree that an act of terrorism against the British Secret Service would be their next move – looking for a target of someone who is admired and whose destruction would cause dismay.   They decide on Bond who had twice frustrated the operations of SMERSH – at the Casino with LeChiffre and Mr. Big.  And another adds Drax (Moonraker) WHO WAS FOILED BY Bond.  The most recent info was Bond having something to do with a diamond affair, from Africa to America,  Pages 38 – 42.  Casino Royale, Live and Let Die, Diamonds Are Forever, and Moonraker had already been published – so some acknowledgment of previous missions and books.   
  • Bond’s scar: “three-inch scar showing whitely down the sunburned skin of his right cheek”  Page 43.  Page 44: Expert pistol shot, boxer, knife-thrower, does not use disguises; languages French and German; smokes heavily; vices; drinks but not to excess and women.  Knows the basic holds of Judo 
  • Kronsteen and Klebb get the orders to kill Bond.   Page 52 
  • Biela Klebb changed to Rosa Page 54 and  Fleming must scratch out Biela and insert Rosa from now on! 
  • Romanov gets recruited by Klebb page 58 and the dialogue is very very close to the movie.  It is a remarkable job in the movie to capture this moment.   
  • Klebb picks Grant page 75 
  • Bond in a funk page 84 because Tiffany Case, his love of several months, had left him.  They had gotten on very well, because M asked him to explain, and there “was some idea we might get married”  Page 89.  But she then met some American on the Military Attaché staff and they both went to America.   Fleming writes in the next top margin (page 90) that M was secretly pleased and the last thing he would want is “for Bond to be permanently tied to one woman’s skirt” and that is in the final print version of the book! 
  • Bond prefers to fly on the 13th of the month because no one wants to and he has fewer passengers to deal with and gets better service.  “I always choose the thirteenth whenever I can”  Page 97 
  • During a very rough part of the flight to Istanbul, Bond gets concerned, and Fleming writes in the bottom margin with an arrow to where it should be placed: “Bond “smelled the smell of danger.   It was a real smell, something like the mixture of sweat and electricity you get in an amusement arcade.”    Fleming describes Bond as going into his hurricane room – the kind of strong room they have in the middle of their homes in the tropics to protect themselves – he only did this when things were “beyond his control and no other possible action could be taken”   Page 100. 
  • Kerim: “Common blood is the best security” talking about his sons and uncles working with him. 
  • In the manuscript, the chapter titles The Tunnel of Rats – has pages 121 – 177 lined out in pencil.  Yet a lot of it is in the book.   Then again with CHAPTER TWENTY THREE from 178-187, and again for Chapter twenty-four FROM 188-195 and CHAPTER TWENTY-FIVE from 196-20-5, and CHAPTER TWENTY-SIX from 206-213 and CHAPTER TWENTY-SEVEN from 214-220 
  • CHAPTER TWENTY-EIGHT is NOT lined out from 221–  228  

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Spy Movies & Real-World Connections – Part 1

Podcast Episode

Spy Movies & Real-World Connections – Part 1

Have you ever thought about how events in the real world and other movies could affect and work their way into some of our favorite spy movies? Well, think about it a minute because that’s what we are going to explore today on Spy Movie Navigator. Join Dan and Tom as they explore the unique connections between spy movies and the real-world impact on what goes into a spy movie! This is Part 1 of a multi-part series! If you have any suggestions on what to include in a future podcast, send them to Dan@SpyMovieNavigator.com

Many movies get ideas for their scenes from either other movies or real-world events.  Think about the jet-pack in Thunderball or the dinner jacket that 007 reveals when removing the wet suit in Goldfinger.  Were these ideas made up for the movie or were they based on real events?  Spy Movie Navigator is starting an on-going series of podcasts that cover scenes like these.   We will tie the scene back to either another movie or a real-life event of which the scene may have been based.

In this episode, Dan Silvestri and Tom Pizzato will examine the first six James Bond movies and look at the roots of some of their scenes.  We’ll discuss those two scenes from Thunderball and Goldfinger and also look at many other scenes in these films to identify their roots.

Related Content

HOW EVENTS IN THE REAL-WORLD AFFECT WHAT GOES INTO SPY FILMS – Part 1

Have you ever thought about how events in the real world and other movies could affect and work their way into some of our favorite spy movies?  Well, think about it a minute because that’s what we are going to explore today on Spy Movie Navigator.  (MUSIC) 

Hi, this is Dan Silvestri and Tom Pizzato at Spy Movie Navigator.com – the Worldwide Community of Spy Movie Fans – Spy Movie podcasts, videos, discussions and more! 

Let’s start by looking at some of the Bond films –  the biggest success franchise in all of spy films and a few others. 

The first real fact is, of course, Ian Fleming got the name James Bond from one of his favorite books, Birds of the West Indies, by…. James Bond. 

Dr. No was written in 1957 by Ian Fleming, published in 1958, and was his 6th James Bond novel.   The movie Dr. No, EON Production’s first Bond movie, came out in 1962.   So, here is the first instance the real world affecting this spy movie: 

  1. By 1962, both the Soviet Union and the USA were launching astronauts into space, so far ahead of the theme in the novel where the USA was launching test missiles.   In the novel, Dr. No says he is working with the Russians to disrupt American test missiles, in the movie, he is disrupting American space flights.  Also, in the movie both the East and the West have rejected his services, and so he is a member of SPECTRE Special Executive for Counter-Intelligence, Terrorism, Revenge and Extortion), and not working with the Russians.  The cold war between Russia (the Soviet Union) and the US in real life was heating up by the time the movie came out, so here, the movie was influenced by real world happenings.   
  1. And, in a subtle nod to life happening,  the painting of the Duke of Wellington by Francisco de Goya was stolen August 21st, 1961 from the National Gallery in London.   It was still missing when EON Productions was filming Dr. No.  So,  In Dr. No, when Bond is in Dr. No’s lair, he walks through the lair about to step up a couple of steps, stops and looks at a painting on an easel – it is the Duke of Wellington!  So, if you are watching Dr. No and don’t realize the painting he stops to look at is this real-life stolen Duke of Wellington, you just think, ah Bond finds that painting interesting.   Once you know the reallife incident, then this adds a brilliant glow to this scene, where the writers for EON Productions were indeed very clever and inventive.   By the way, the painting was eventually recovered in real-life and now hangs in Gallery A at the National Gallery in London once again – we saw it there while visiting Gallery # 24 where in SPECTRE, Bond meets the new Q. 

From Russia With Love – 1963 – released in 1963 by EON Productions as their second James Bond film, and Ian Fleming’s 5th James Bond novel published in 1957 (the year the Soviets launched Sputnik, the first man-made satellite), was heavily influenced by the times – and the Cold War.   The tensions between the US and the Soviets was at an all-time high.  Remember, the Cuban Missile Crisis (the showdown between Russia and the US) was in October 1962, the year EON was filming From Russia With Love.  So, once again, EON Productions was brilliant in their release of From Russia With Love! 

  • In addition, check out the book,  “For Your Eyes Only – Ian Fleming + James Bond” by Ben Macintyre.  Here he tells of the attempt to murder Bond on the Orient Express by SMERSH was based on a US Naval attaché in Romania, Eugene Karp, who was more than likely trying to escape from Russian agents.  He boarded the Orient Express in Bucharest in February 1950, and his body was found in a railway tunnel near Salzburg.  It was never proven the Soviet assassins did it, but it is highly probable.      
  • Even SMERSH is from the Russian Smyert Shpionam = “death to spies” – and we will see this is The Living Daylights 

 

 

Goldfinger – 1964 released in 1964 by EON Productions as their third James Bond film, based on Ian Fleming’s 7th novel of the same name, published in 1959.  In the pre-title sequence in the movie (not written in the novel) is James Bond in a wet/dry suit emerging from the water, setting explosives, and then removing his wetsuit (really a dry suit) to reveal a perfectly neat and crisp white dinner jacket, bow tie etc.    Ah, you are thinking like we were thinking – what is the chance of that really happening or being able to happen?!   

Well, let’s talk to MI6 about a similar WW-II operation!  In an article by David Harrison in April 2010 for The Telegraph, he reveals that a Jeremy Duns,  a British writer, was researching a new book.  He found out that a Dutch spy used a very similar technique to infiltrate a German-occupied mansion in the Netherlands during WW-II  From the water, he emerged in a wetsuit.  Underneath this specially designed wetsuit, he wore the evening wear.  His evening wear would make him look like he belonged, and he could slip past the guards into the party.   He was supposed to extract two comrades and escape.   Well, Jeremy Duns thinks that a Brit screenwriter, Paul Dehn, who was called in to polish up the Goldfinger script, knew about this WW-II incident, because he was a former intelligence officer in WW-II.  Hmm!   The original script did not have this scene, and, as said, it was not in the novel.     He feels it is too much of a coincidence that this scene was written into the screenplay by Paul Dehn, who most certainly was aware of this WW-II operation!  True real-life incident put into the movie! 

Skipping ahead, at the point in the film where Bond is captured by Goldfinger’s henchmeafter another great car chase scene, Bond finds himself strapped to a metal table, as Goldfinger is about to demonstrate his new toy – a laser beam.  Here in the film, the laser beam is directed at the base of the table and is guided to rise-up between Bond’s legs, into his crotch and eventually kill him.   In the book by Fleming, published March 23 1959, there were no lasers yet – and so this device was a table saw.   The laser was not invented until 1960.   The first working laser was built on May 16, 1960 by Theodore H. Maiman at Hughes Research Laboratories based on the theoretical work of Charles Hard Townes and Arthur Leonard Schawlow.   The term laser came to be an  acronym for “Light Amplification by Stimulated Emission of Radiation.”   Again, EON Productions was brilliant at integrating a real-life happening, the invention of the laser, into this film which was being shot in 1963 for release in 1964.  And at the time, this was a very high-tech scene in Goldfinger!  We cannot think of another film of any kind using a laser before Goldfinger, so here is another first for EON Productions!   

This scene is famous the world-over for the laser, and for the dialogue: Bond: “ You expect me to talk?”  Goldfinger” “No, Mr. Bond I expect you to die!”   

   

 

Thunderball – 1965 Thunderball was Ian Fleming’s 9th James Bond novel, published in 1961, and EON Production’s 4th James Bond 007 movie, which opened in 1965.   Thunderball probably would have been the first movie produced but there were some copyright issues that were delayed in settlement.  Kevin McClory and Fleming had worked on a script that never made it to production.   Fleming used part of it for Thunderball, and eventually a settlement was reached.  Thunderball is the only early EON production  movie where the producers are not listed as “Cubby” Broccoli and Harry Saltzman.  Here they are listed as Executive Producers (which is a lesser status) and McClory is listed as the producer.   Also, McClory got the right to produce his own James Bond film based on his Thunderball contributions and eventually did Never Say Never Again which is basically the same story.   

But we digress!   In Thunderball, SPECTRE is at it again.  So, we get away from the US versus the Soviet Union and have this other entity as the enemy again.   Remember in Dr. No we were introduced to SPECTRE.   

Of course, by 1961 when the novel was published, we had lots of atomic bombs in the world, and there was an arms race between the Soviet Union and the US.  So, atomic weapons were on everyone’s minds.    

  1. The basis of this story is based in real life – people were worried about a nuclear war and atomic weapons.   Here, two atomic weapons are hijacked by SPECTRE who threaten to destroy a major city either in the US or in the United Kingdom.  So even though EON Productions did not make this their first Bond film, in 1965 the world was very aware of the threat from major powers building up supplies of nuclear weapons.    So, the topic was hot. 
  1. The sky hook, which recovers Bond and Domino at the end, is an actual real-life device developed by Robert Fulton for the CIA in the 1950s.  By letting up a line from the ground with a self-inflating balloon, a specially equipped plane can fly by and scoop up the line and the one or two personnel it was designed to retrieve.  Cool!  A real-life gadget at the time.   
  1. In 1956, a Soviet cruiser came to Britain, with Nikita Khrushchev on a state visit to Britain.   He was the former Premiere of the Soviet Union.  It was also in 1956 where, Khrushchev said: We will bury you” while addressing Western ambassadors at a reception at the Polish embassy in Moscow on November 18, 1956.  So Soviet/Western relations were not good.   So on this visit to Britain, Britain wanted to get a look at this new Soviet ship – some reports say to examine for mine-laying hatches, or sonar equipment, and other reports, like from Peter Wright’s book, “Spycatcher,”  Britain’s Naval Intelligence  wanted information on the potential new propeller system this ship had.  So MI6 sent a scuba diver down (actually, two were reported as being sent) and one was a great diver, Lionel Crabb.  Crabb never returned from this mission, and a headless, handless body was found 14 months later dressed in the scuba gear he had worn on that date (April 15 1956).  MI6 covered up the mission, saying Crabb was lost in some underwater exercise.   Many theories floated about, one being that Soviet sentries were stationed underwater to guard the ship, caught Crabb, cut his air hose and brought him aboard and he later died.  Other theories say he was shot underwater by a Soviet sniper.   

Now, you will remember in Thunderball, Bond is sent to inspect the hull of the Disco Volante, Largo the villain’s boat.  Bond is discovered too by Largos frogmen, as Bond was taking photos of the hull to determine if there was an underwater hatch.   Bond, more luck than Crabb, escapes.  The photos showed an underwater hatch which leeds Bond to think Largo’s entire operation (the theft of the plane carrying to nuclear missiles) might be underwater – including the plane that was hijacked.  Is there a connection between the Crabb event and these scenes in Thunderball?  The MI6 officer in charge of the Lionel Crabb underwater deployment and mission was Nicholas Elliott – a friend of Fleming’s! 

  1. In the 1958 movie, Silent Enemy(based on a true story) – 2 British battleships are sunk in Alexandria by explosives set under their hulls.  The explosives, in real life, were being set by Italian scuba-divers, who were launched from a submarine using what they called, “underwater chariots” – which in Thunderball and other spy movies to come – were the underwater sleds used to transport the bombs, get divers to certain locations underwater, etc.!  In real life, they were using these underwater chariots to bring frogmen to the British ships where they would attach torpedoes and mines.  The British had to figure this out and stop it – and here, Lionel Crabb (who we mentioned earlier) was in charge of the operation to infiltrate the enemy shipdestroy their capabilities of continuing to blow up British ships!   So, in this movie we see real-life events.  Of course, we see in The Spy Who Loved Me, Stromberg’s (the villain) ship, the “Liparus,” has underwater bow hatches that capture the Soviet and US submarines (with nuclear weapons aboard).   

In the same movie, Silent EnemyALSO, there is a great underwater battle of frogmen, cutting breathing hoses and more – just like in Thunderball and additional spy movies to come.   The Thunderball underwater scenes, filmed in the Bahamas, were set the standard for future underwater battles, and the potential connections to real-life events from World War 2 makes Thunderball underwater hull investigations, and underwater battles with frogmen and underwater sleds even more grounded in reality.   

Also in Thunderball, the jet pack, was real and flown by Bill Suiter, who demanded using a helmet which is why Sean Connery as Bond puts on a helmet when he takes off.   

  1. Though the movie came out in 1965, Fleming’s 9th novel was published in 1961.  And it foreshadowed the threat of the Cuban Missile Crisis to the US Florida cities (like Miami, Cape Canaveral etc).  

 

You Only Live Twice – 1967 Ian Fleming’s 12th novel published in 1964 (counting the For Your Eyes Only collection of short stories, and it’s the last novel published before his death), and EON Production’s 5th James Bond 007 film which opened in 1967.  The movie has little to do with the actual novel.   Here, the beginning of the movie depicts the death of James Bond, complete with obituary in the newspapers.   There is a burial at sea for Commander Bond, and when the body sinks to the bottom of the ocean, scuba divers retrieve the body and bring it to the awaiting submarine where it is taken aboard, the wrappings open, only to reveal a live James Bond who quips, “Request permission to come aboard, Sir.” 

Thank God Bond is alive – we were worried, right?   His death was faked to throw off the enemy .  Of course, that means they knew who James Bond was, which is often the case, but that’s another podcast! 

  1. The faked death of spies is definitely grounded in reality.  Google Arkady Babchenko, faked his own death because being very critical of Vladimir Putin, he was certain that he would be killed by the KGB.  In a huge real-life situation in World War-II, Operation Mincemeat (Google it!) the Allies floated the body of a dead man with fake papers identifying him as a Captain who the Germans had been tracking. With papers indicating an invasion of Sardinia Italy and Greece instead of Sicily, to mislead the Germans.  Some stories say the fictitious name of the dead man was Captain William Martin, while other reports say the Germans were aware of the supposed dead man and felt he really knew something.  Regardless, the deception worked.  And the source of the plan came from Rear Admiral John Godfrey and his assistant, Lieutenant Commander Ian Fleming.    Yep!
  2. We all remember Henderson, the contact Bond meets in Japan and who has key information, was based on Richard Hughes, a reporter and double agent who worked for Ian Fleming at one point during WW-II.  Hughes did a lot of Bond-like things.  Hughes spent a great deal of time in Japan.   Hence, a great place to film this movie.  Google The extraordinary untold Japan story of ‘You Only Live Twice’ by Damian Flanigan, special to the Japan Times.   Great story!
  3. “Little Nellie,” the one-man autogyro that Bond flies to do surveillance in Japan was a real-life invention, developed by Ken Wallis, a Royal Air Force guy, in the early part of the 1960s.  The one used in the movie was modified, of course.  
  4. Of course, the Space Race played a part here too – the US and Soviet Union at the time were racing each other for outer space advantages and achievements.   So, SPECTRE capturing Soviet and US space capsules is a natural, given the times in 1967, two years before Neil Armstrong and Buzz Aldrin will land on the moon on the US Apollo 11. 

 

On Her Majesty’s Secret Service – 1969 Ian Fleming’s 11th novel, published in 1963; and EON Production’s 6th James Bond 007 movie, showing in 1969.  The first Bond movies without Sean Connery, George Lazenby steps in to be Bond and to be bonded – married – to Teresa Di Vincenzo (Tracy) – played by Diana Rigg. 

In his mountain-top laboratory, posing as an allergy clinic, at Piz Gloria (Schilthorn, Switzerland  Blofeld is brainwashing young women to deliver a chemical agent that will stop plants and animals from reproducing- creating a tremendous food crisis.  The setting is spectacular – we have been to Piz Gloria about 10,000 feet up! 

  1. In 1968, there was an experiment done by the US Army at Dugway Proving Grounds in Utah.  Through a malfunction of a spraying nozzle, a toxic chemical was released and almost 30 miles away, over 6,000 sheep were found dead.   There was no definitive connection to the agent released and the sheep deaths, but traces of the toxic chemical were supposedly found on the carcasses.   So, draw your own conclusion!   So, when OHMSS comes out in 1969, chemical warfare and potential devastation to life through chemicals was very much real.
  2. The Soviet Union was ramping up chemical warfare research, while the US began to downgrade ours.  Again, what Blofeld was thinking was not out of the realm of possibility! 

 


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In Goldfinger, the car with Mr. Solo’s body is crushed in a metal and iron scrapping facility.   It was his “pressing engagement”.   Oddjob takes the crushed car back to Goldfinger to salvage the gold.  Today, this is the Miami Iron and Metal Company.  Miami Iron and Metal is still scrapping metal over 55 years later.   We’ll look at what happened in the movie here in 1964 and what it looks like now and what his happening here now!

This location is only about 3 miles from the Miami International Airport in Miami, Florida (US).  In the movie, it was supposedly in Kentucky.


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Spy Movie Navigator visits Goldfinger Filming Locations in Miami Florida (USA)

Podcast Episode

Spy Movie Navigator visits Goldfinger Filming Locations in Miami Florida (USA)

Eon Productions film, Goldfinger was filmed, in part, in Miami Florida in the USA. Spy Movie Navigator took a trip to Miami to see what the locations from the movie look like today. Join Dan and Tom as they navigate the Miami streets and get an updated look at these sites.

Do you remember the metal yard in Goldfinger where Mr. Solo met his “pressing engagement”?   How about the Kentucky Fried Chicken where Felix Leiter and Simmons are waiting to find 007?  Or, do you remember the wonderful hotel where Auric Goldfinger cheats at cards, Felix Leiter meets with James Bond (who is having a massage), and Jill Masterson meets her golden demise?

All of these scenes were actually in Miami, Florida in the USA.

Join Dan Silvestri and Tom Pizzato on their journey to Miami to find out what has happened to these, and other,  Miami-based filming locations from the fantastic movie, Goldfinger.

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GOLDFINGER 

LOCATION 1: Miami 

KENTUCKY FRED CHICKEN:
701 NW 119th Street, Miami, Florida 

 

As you recall from the movie, Goldfinger, Bond escapes from his confinement cell and overhears the plans for Operation Grand Slam.  We also know that Mr. Solo, who was one of the gold investors in the Operation, wants out.  Goldfinger graciously allows him to get out of the deal, and instructions his people to get Mr. Solo’s gold, load it in the car and for Oddjob to take Mr. Solo to the airport.   Of course, this is all taking place at Goldfinger’s ranch in Kentucky, but the set for the ranch was built at Pinewood Studios outside of London.  The filming of the next couple of scenes was actually done in Miami! 

Bond slips his homing device in Mr. Solo’s suit jacket, along with the note about the Operation Grand Slam plans, as he is getting into the Lincoln that Oddjob is driving.  As they drive off, theoretically to the airport (though we don’t know how Mr. Solo would have checked his million dollars worth of gold at the airport!),  Felix Leiter is waiting near his car in the parking lot of a Kentucky Fried Chicken shop.   This shop is located at 701 NW 119th Street in Miami because, in the film, you can see the address of the shop.  From his car, Leiter can track the 007 homing device and drive towards it.    

So, we are heading to that location right now. 

We are pulling in the parking lot now.   Over the years, things have changed, but the Kentucky Fried Chicken shop is still here, but now called KFC.  It has been totally remodeled over the years as you can see here, but it is the same location where this part of the film was shot!   

  1.  We are on the approximate spot where Felix Leiter’s car was when his partner was waiting for him to exit the KFC so they can follow Bond’s homing device in Oddjob’s car.   
  2. And we are standing at the entrance/exit of the shop where Felix Leiter is scene heading back to the car with a napkin in his left hand!   
  3.  The car backs up to get Leiter and we are now standing on the spot where Leiter gets into the passenger seat of the Thunderbird! 

Though lots has changed, it is nice to see that this spot is here.  Of course, it was an important shot because it showed that Bond’s device, along with the note about the Operation Grand Slam details, might be found by Leiter in time.  Bond, of course, did not know that Mr. Solo would singularly be eliminated in a crushing event coming up. 

As an aside, as reported by Martijn Mulder in his book, On the Tracks of 007, the director Guy Hamilton was so thrilled to find a Kentucky reference in Miami, since this was supposedly taking place at Goldfinger’s ranch in Kentucky, when he found the Kentucky Fried Chicken shop!  At the time he did not know it was a restaurant chain with restaurants all over the United States! 

 

GOLDFINGER 

LOCATION 2: Miami 

Aimco Miami Iron & Metal Co.  ???
3338 NW River Drive, Miami, Florida 

As Oddjob drives Mr. Solo to the airport, Mr. Solo notices that Oddjob misses the airport exit on the road.   The ride to the “airport” partially takes place on 7th Avenue, but lots has changed on 7th Avenue over the years.   At one point, you see a shot of the Lincoln in front of Royal Castle, as it then turns left near a Sunoco gas station and Joe’s DriveIn, at Opa Looka Bvd., then you see Leiter’s car pass a Ford dealership on the left, then the Lincoln is passing the International Airport sign, Solo notices, then the Lincoln turns right and Oddjob stops, turns around and shoots Mr. Solo dead, then proceeds under an overpass, to the Atlantic Iron & Metal Co.turning left into the yard, located west of the Miami International airport.   There is a railroad track running parallel to the fence in the movie.  We have been driving down this avenue, trying to find the location of the metal recycling plant that was used for this scene in Goldfinger.    

Goldfinger gets out of the car, a huge magnet picks up the car and moves it to a crusher with Mr. Solo and the gold still in it, and the entire car is crushed to a heavy cube, which is loaded in the back of a blue Ford pick-up truck and driven off by Oddjob.  As the car gets crushed, Leiter loses the tracking signal.   

So, Leiter returns to the farm (Goldfinger’s ranch). 

Here is a shot of what this metalworks company looks like today:  a new name, some changes like the fence, but the entrance is just about where it was in the movie, and there is a remnant of a railroad track that can be seen. 

This is not in a great area of Miami, so either be very careful when visiting this film location OR just enjoy this location from the comfort and safety of your home and watch our video! 

 

GOLDFINGER 

LOCATION 3: Miami 

Fontainebleu Resort
4441 Collins Ave., Miami Beach, Florida
305-538-2000 

 

This famous hotel is used for establishing shots in Goldfinger, meaning the main cast did not shoot here.  Many of the scenes, like Goldfinger playing cars near the pool, and Sean Connery observing the card game from Goldfinger’s room were shot in studio, and the backgrounds used ala greenscreen that second unit in Miami actually shot on location at the Fontainebleu.   

This resort has been frequented by Presidents of the United States, and many stars performed here.  Many things have changed over the years since Goldfinger was shot in 1963/`1964.  The entire pool area is different. 

For purposes of our filming on this location, we contacted the public relations department of the resort, but they were not able to accommodate us at the time of our visit but promised to work with us when the resort was less busy.  So, we are shooting this on our own. 

Because the stars of the film never really shot here, the Fontainebleu becomes a secondary Bond location, but we think still worth a visit.   This kind of reminds me of The Drake Hotel in Chicago’s role in Mission: Impossible 1 – it never appeared in the film, but played a key role in the plot of the film.  Here, the Fontainebleu appears in the film for several shots, but the stars did not shoot their parts here.   

Also, you see in Casino Royale in 2006, Daniel Craig has a couple of scenes in Miami, yet those scenes were shot in Prague! 

 

 


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Goldfinger

Goldfinger, editorial content, 007, James Bond, spy movie podcasts, EON Production movies, espionage, Sean Connery
Goldfinger Poster

After successfully blowing up a drug lab in Central America, Bond needs a vacation.   So, he heads to the Fontainebleau Resort in Miami Beach, Florida in the USA.  And so begins the Goldfinger – James Bond 007 saga.

Listen to our filming location podcast on “SpyMovieNavigator Visits Goldfinger Filming Locations in Miami Florida (USA)!”

We break down the movie, discussing the film and how it either was influenced by or influenced real-life events or other movies in this podcast.

In this curated movie section (and in the related podcast), we look at it as it related to other bond films before and after, and to many subtleties:

        • The pre-title sequence when Bond removes the wet suit and is in a tux – discussion of the real-life similar event!
        • The title sequence has flashbacks to No and From Russia With Love
        • Goldfinger publicity poster discussed!
        • Always in Gold!
        • Villain’s Megalomaniacal behavior – in Goldfinger, Dr. No and From Russia With Love
        • Other movies mentions; The Man with the Golden Gun, Live and Let Die, Thunderball, You Only Live Twice, Diamonds Are Forever
        • SpyMovieNavigator on location at Stoke Poges Club (where Goldfinger and Bond golf). Photos!
        • The tender side of Bond revealed again
        • The laser versus table saw
        • The three things Goldfinger loves about gold
        • Meeting Pussy and Goldfinger’s Lockheed notes
        • The ruthlessness of Goldfinger
        • Oddjob and Bond

Goldfinger Pre-Title Sequence

Goldfinger – Pre-Title Sequence – This, in Goldfinger, is exciting and mysterious.   It opens with a dark, night scene of some buildings then pans to the water.  In the water we see a bird, then Bond emerges and the bird turns out to be part of his scuba headgear – in case anyone was watching.  Yet, really, by the time he emerges if anyone was watching they’d just see the bird for a second or so – then they’d see Bond   But he gets ashore, then uses a gadget to shoot a grappling hook and rope up over the wall so he can climb.  A guard up there hears something, starts to walk to see what the noise might be.   Bond is quick!  He has already climbed the rope and knocks out the guard.

Next, with great pre-knowledge as to how to get in, he sneaks into one of the silos.  Once inside, the room is furnished nicely but has nitro barrels all lined up inside to which Bond attaches plastic explosives.  Then he sets the timer for 12:20, giving him about 8 minutes to get out of there (his watch said about 12:12.  He exits, jumps over a couple of walls, and removes the wet/dry suit to reveal he is dressed in a tux.  Nice!

Goldfinger Pre Title Sequence Grounded in some Reality!

This is impossible, right?  Uh, not really.  In 1941, there was a Dutch agent, Tazelaar, who was part of the Dutch resistance, and with British help, got ashore near The Hague.  Once ashore, he removed the wet suit to reveal an evening suit!  He infiltrated a Nazi party to try to extract other Dutch resistance fighters.   Listen to our podcast, How Real-World Events Make their Way into Spy Films for more detail on Tazelaar’s efforts.

Here Bond successfully blows up a drug lab in Central America (nothing to do with the Goldfinger plot).  He has some extra-curricular activity with his “unfinished business,” is attacked, but escapes leaving the attacker electrocuted.   “Shocking.  Positively shocking.”  He then heads to Miami for a vacation.

Notice that in the gun barrel sequence, Bob Simmons is still the agent that shoots towards us.   This is the last movie that they will use Simmons.   Thunderball puts Sean Connery as Bond in the gun barrel and from that point forward, it is Bond.  James Bond.

This Goldfinger – Pre-Title Sequence is very cool and very good.

This is EON Productions 3rd James Bond 007 film, based on Fleming’s 7th Bond novel.

Goldfinger Title Sequence

Goldfinger Title Sequence – This title sequence highlights various scenes we will see in the movie (much like the Mission Impossible television series did around the same time).  Here, Shirley Bassey sings the title theme song.   The simple beauty of this title sequence carries the gold theme throughout.  Similarly, Goldfinger carries the gold theme throughout the movie,  by almost always wearing something gold.

Watch the golden hands at the beginning, where Goldfinger is introduced, on the left, then Bond on the right.  The additional main characters like Jill Masterson and Pussy Galore, the DB5, Oddjob, and Mr. Solo are also included.   There are actually a couple of flashbacks to Dr. No and From Russia With Love too in this sequence.   This is a brilliant title sequence that has captivated millions of Bond fans to this day.  Simply fantastic!

And this is one of our favorite title sequences done in any spy movie.  You will notice scenes from the previous Bond movies are projected onto the golden woman’s body – which is alone brilliant.   Actress Margaret Nolan was the golden girl in this title sequence, and she was also the golden body in the movie posters.

Goldfinger Poster in Many Ways Captures the Goldfinger Title Sequence

Robert Brownjohn designed both the title sequence and the promotional posters.   One of our favorite posters, which we own, is a simple, vertical poster, with a black background.   It has the words in white, “James Bond is Back in Action” and includes several photos of Bond.  In particular, one is with a Bond girl, and the golden girl lies horizontally across the middle of the poster.

Continuing, the golden words “Everything he touches turns to excitement” is the overwhelming message.  And this, of course,  a play on the words, “everything he touches turns to gold.”   So, the attribute of success, which goes along with the original idea of “everything he touches turns to gold”, is attributed to Bond.  Specifically, here as it refers to the excitement he creates, for us, the viewers.  Simply brilliant.

Who does not know the Goldfinger theme music?  It was one of the most successful themes of any Bond film.

Music by John Barry, as always, is marvelous and inspiring.  Guy Hamilton does another spectacular job directing the film to be one of the best Bond films ever made.  This Goldfinger Title Sequence is yummy!   One of our favorites!

Goldfinger – Fontainebleau Scene, Miami Beach

Goldfinger – Fontainebleau Scene, Miami Beach – This scene, which is shot supposedly at the Fontainebleau Resort in Miami Beach (in Florida in the US), was indeed partially shot at the Fontainebleau.

Felix Leiter is briefing Bond on Auric Goldfinger in this scene, and Bond, when hearing Auric Goldfinger’s name says, “sounds like French nail varnish.”  This shows Bond is sophisticated, but always playful with words and confident.  We saw Bond make interesting quips in the first two EON Production movies, Dr. No and From Russia With Love, and it continues.  We are growing to know the Bond character very well.

Sean Connery (as Bond) and Gert Froebe (as Goldfinger) never really made it to Miami Beach for these scenes.  And neither Harold Sakaka (Oddjob)   The second unit camera crew shot establishing shots at the real Fontainebleau Resort.  Yet, the scenes with Bond and Goldfinger were shot at Pinewood Studios in London.

You can see the main Fontainebleau building shown in the background is a bit dull and slightly washed out.  Other shots where Goldfinger is playing cards, with his pigeon sitting across from him, while  Bond walks by are very crisp and sharp.  These sets were built at Pinewood studio, where these scenes were shot.  Felix Leiter was in fact at the Fontainebleau and some of his scenes were shot on-location there.

Fontainebleau Scene is the Perfect set-Up

This is a perfect set-up scene though.  Leiter fills Bond in on Goldfinger, and we learn he is British but doesn’t sound like it.  He also has a great stud farm and is clean so far with the CIA.  Bond, as he walks by Goldfinger playing cards, notices that he has an earpiece in.  Suspecting Goldfinger is getting fed information through the earpiece, he glances around the hotel balconies.  And notice here, Goldfinger, as he does for most of the film, is wearing something gold – here a golden pool jacket.

Bond enters the hotel, finds a maid, uses her passkey, attached by a cord to her waist, to open the door.  When Bond says she is very sweet, and he starts to enter the room, she looks him over, checking out his backside – and frontside as he turns.  Watch her eyes and head.   All women love Bond, huh?   When he gets into Goldfinger’s room, he encounters Jill Masterson, played flawlessly by Shirley Eaton.   She is gorgeously lying on the balcony in a hot bikini, with binoculars and a transmitter.  Ah!     Bond makes Goldfinger lose at gin to the tune of $15,000.  And Jill says, “I’m beginning to like you, Mr. Bond.”

The adversarial relationship between Bond and Goldfinger is established.  Goldfinger likes to win.

Catching Goldfinger cheating at cards also comes from the novel by Fleming.

Scene Locations

It is ironic that here, the scenes were supposed to be in Kentucky, but actually shot, partially, in Miami Beach Florida and Miami Florida. Oddjob’s Lincoln, the iron and metal company, Felix and Simmons at the Kentucky Fried Chicken, etc. were all shot in Miami.  Then in other spy movies, like Notorious and the 2006 EON Production’s Casino Royale, scenes were supposed to be set in Miami.   Nonetheless, for Notorious were all filmed in Los Angeles and Hollywood, and for Casino Royale were in Prague in the Czech Republic!

SpyMovieNavigator visited the Fontainebleau Resort, on a recent trip to Miami Beach.  And, much has changed in the decades that followed the filming of Goldfinger.  Even though, some location shots that were done with Felix Leiter, we were able to locate!

Like him walking past the ice skating rink – there is no longer an ice skating rink there, it is a shop now, but the curved hallway he walks through is still there.   We walked through it as well – in his footsteps!  And a couple of shots outside, near the pools, can be found – and we found them – although the entire pool area has changed.  This Goldfinger – Fontainebleau Scene is a key set-up scene and must be viewed and examined!

Goldfinger – The Golden Girl

Goldfinger – The Golden Girl – While Bond has won over Jill Masterson, was he naïve enough not to think that Goldfinger would retaliate?  We assume they went out to dinner, as he had suggested, and then back to his room to make love and have fun.   This clip picks up when Bond is recovering from being knocked out by Oddjob.  When he comes to, he walks from the kitchen area where he was retrieving more champaign to the bed area.

The shot is filmed perfectly as we see Bond walk in front of a mirror and we can see Bond from both sides – shocked at what he is seeing.   Jill Masterson is covered in gold paint lying on her stomach across the bed.  A strategically placed pillow blocks us from seeing her butt, which would not have been on screen in 1964, especially for the equivalent of a PG (parental guidance) audience rating.  In the book Jill Masterton – a slight spelling difference – is painted with gold as well.

We know it’s Bond’s room because when he picks up the phone, the person at the desk says, “Yes, Mr. Bond.”  He calls Felix and tells her the girl is dead.

Goldfinger – The Golden Girl is Dead – But Not Bond

As a viewer, we wonder again why not kill Bond too?   Oddjob got into Bond’s room, knocks out Bond, and then paints Jill Masterson from head to toe in gold paint.  Of course, we assume Oddjob or whoever painted her knew how long it would take and that Bond would be knocked out until they were finished.  Maybe they had a team in the room, painting her and watching Bond.  We don’t know.   But why not just kill Bond?

Perhaps Goldfinger does not yet know who Bond really is and just thinks he took his trophy-girl away from him.  As we know, Goldfinger likes to win.  So maybe Goldfinger was simply thinking to kill her, and Bond can’t have her anymore either.  Let Bond suffer through this loss.   But Goldfinger is connected, worldwide it seems.  How does he not know about Bond being an MI6 agent?

Of course, we will see this same type of megalomaniacal behavior in many Bond villains to come. And,  from the preceding James Bond 007 movies we see this as well, Dr. No and From Russia With Love. We will see it again in this film!

OK, our willing suspension of disbelief will get us to the next scene!

Goldfinger and Bond Golfing at Stoke Poges

Goldfinger Golf Scene

Goldfinger & Bond at Stoke Poges – This clip is about 5 ½ minutes long, but it highlights what will become the mission for the rest of the film.   It establishes Bond as a person of interest for Goldfinger since he has access to some rare gold bars.  This clip is not the sharpest in terms of quality, but it was the best we could find at this time on YouTube.  This clip reinforces the tension and adverse relationship they have.  As Bond wins the round and the 5,000 pounds that the gold bar was worth.  That’s the bet Goldfinger made with Bond after he saw the gold bar, and Goldfinger is not happy.

Once again, you will notice Goldfinger is wearing a golden sweater as he plays his round of golf with Bond.   He is almost always wearing something gold throughout the film.   Once you pay attention to it, you will look for it!

We know that Goldfinger likes to win – and here he loses to Bond.   And he must write him a check for the 5,000 pounds.   Goldfinger’s Rolls is parked in front of the main building at the club.  Here, he directs Oddjob to demonstrate the capabilities of his hat, knocking the head off a statue some distance away.   We now know that Oddjob is physically strong, but has a hat for a potent weapon, which we will see used in key scenes later in the film.

SpyMovieNavigator On Location at Stoke Poges Club,
where these scenes were filmed

ON THE FILMING LOCATION: On a recent trip to London, SpyMovieNavigator took a trek out to Stoke Park, which is where they filmed these golf scenes.  We actually had lunch at the restaurant – and it was fun – a high tea!  Then, we walked out by the 18th hole, got some great photos,  This is where Goldfinger concedes the game to Bond (after Bond replaced Goldfinger’s ball with the wrong one – “stick rules!”

After that, we walked in front of the main building where the Rolls was parked, and where Bond, Oddjob and Goldfinger met after the match.  There, Goldfinger writes the check to Bond. And here, in the film, is where Oddjob demonstrates his skills with his hat – knocking off the head of a statue.   Here are a couple of pictures including the driveway in front where Goldfinger’s Rolls is, with Bond, Oddjob and Goldfinger, Dan in front of Stoke, and Dan and Tom in front of the famous 18th hole!

Stoke Poges Club, at Stoke Park, Goldfinger, golf, james bond, spymovienavigator
Stoke Poges Club – Where Goldfinger’s Rolls in parked and where Oddjob demonstrates his skills with

Stoke Poges Club, at Stoke Park, Goldfinger, Oddjob, where the Rolls is parked, Dan in front of Stokes Park
Stoke Poges Club, at Stoke Park, North of London. Goldfinger golf scenes

Stoke Poges Club, at Stoke Park, 18th hole, Goldfinger, James Bond, 18th hole, Dan and Tom in front of 18th green
Stokes Poges- Dan and Tom in front of the 18th green, where Goldfinger concedes the game!

Again, we were really excited to be at these filming locations!  Especially for these great scenes in one of our favorite Bond movies  – we were right there!  We love going to spy movie film locations, and we encourage you to do the same.  It is just fun to be where they shot these scenes.   And when you watch the movie again, you can‘t help but say, “I was right there!”

Goldfinger Golf Scene In the Movie: Royal St. Mark’s is where they say they are playing.
In Reality: Stoke Poges Club, at Stoke Park, north of London

As a reminder, Goldfinger likes to win, and here, he lost again to Bond.  So this cannot be good for Bond.  This Goldfinger golf scene is one of the classics in spy movies.

In the movie, the golf match takes place at the Royal St. Marks’ (which was based on the Royal St. Georges).   In real life, it was filmed at Stoke Poges Club, at Stokes Park, which is about 35 minutes outside of London (Buckinghamshire) and is a luxurious resort and spa.  Fabulous grounds, building, etc., founded in 1908.  One of the most expensive clubs in the world!  Fleming was a decent golfer and played at Royal St. Georges, and was especially fond of the 19th hole!  Fleming’s handicap was 9, which coincidentally is the handicap of Bond. And in the film, Goldfinger has the same handicap, as the starter says in this clip.

In the film, we all know that Goldfinger plays a Slazenger 1, but Bond switches his ball with a Slazenger 7 when Goldfinger ends up in the rough and can’t find his ball, but Oddjob sneakily drops one.   Bond finds the real one, and also a Schlesinger 7.  Bond hides the Slazenger 1 and switches Goldfinger’s ball by tossing him the wrong one from the cup.  We can believe that Goldfinger might not notice since a 7 and a 1 might look similar at a quick glance.   But what ball does Bond Play?  A Penfold Heart!  This Goldfinger golf scene is a must-watch.

Goldfinger – DB5 Car Chase

Goldfinger – DB5 Car Chase

This clip highlights three things: the DB5 and its gadgets, and the death of Tilly Masterson at the hands (hat) of Oddjob, and an emotional Bond, as we saw in Dr. No.

It is rumored that the producers wanted to use a Jaguar, but Jaguar refused to provide cars for the film.   They then went to Aston Martin, and Aston Martin, of course, provided two cars for the movie.   What was Jaguar thinking?  This Aston Martin was also used in Thunderball and sold to a private American car collector for about $4.6 Million over 40 years later. There is another version of the story that says EON Productions had to pay for the Aston Martins.

Notice the sound effects in this clip, and remember it won an Academy Award for sound effects.   The motor sounds, road sounds, gadgets, bullets being fired, the crash of Oddjob’s hat striking Tilly are all first-rate.

More Tender Side of Bond

Here, we see another glimpse at the more tender side of Bond, as we saw in Dr. No when Quarrel was killed and Bond walks over to look at Quarrel, sadly and reflective.   Here, he does a similar thing.   When Oddjob strikes down Tilly during the gunfight between Bond and Goldfinger’s Asian henchmen, Bond gives up the fight. Doing so, he runs over to the body of  Tilly.  Bond gently rolls her over, realizing she is dead.  He glances at Oddjob’s hat and is obviously sad, maybe even emotional, as he looks at her face.  Examine Bond’s face as he looks at her – he is emotional.  And then he clenches his jaw, indicating that he is angry, and will try to avenge her death.  All in one quick shot – brilliant.

The DB5, Car Chase

Of course, we move through this scene as Bond is avoiding his pursuers with skilled driving and the DB5 gadgets – at one point, after Bond activates the smokescreen, Tilly smiles broadly, and we, the audience, are thinking they will be safe and will shake off their pursuers.

Then Bond uses the oil slick, and another car chasing them crashes off a cliff and bursts into flames, much like we saw the hearse in Dr. No plunge to a fiery grave.  In this clip, the car crashes, bursts into flames, crashes through some small trees as it rolls downhill, and the trees follow it in flames as it crashes into a wall at the bottom.   A beautiful scene, even though most cars will not burst into flames when crashing like this as we said in our Dr. No podcast!  But great drama!

We also see Bond raise the bulletproof shield during this chase.  SpyMovieNavigator always wondered why the front windshield is bullet-proof as we will see in another moment in this clip as the old lady gatekeeper fires a machine gun at Bond’s windshield.  Yet, he needs the bullet-proof shield to protect the rear window.   Maybe just extra protection by Q, thinking most dangerous scenarios would be a chase from the rear.   Or, maybe even to block out the targets inside the car.   But it’s a cool gadget nonetheless.

Tilly Dead and the Capture of Bond – Why Did They Make Him Drive His Own Car?

Lastly, after Tilly is killed, you see the bad guys carry her body off as Oddjob grunts for one of his, I think, three or four grunts in the film.   Then, they make Bond drive his own car back to Goldfinger’s headquarters.  We are thinking – well, you kind of know the car is latent with gadgets – he used a smoke screen, oil slick, read bullet-proof shield already – what next?  Well, they make Bond drive his car anyway.

Q’s forethought was right on the money again – the ejector seat!  Yes, the Goldfinger goon who is in the passenger seat with a gun on Bond gets ejected – notice the very surprised look on his face as he glances up at the roof for a second before ejection.   Bond then uses the front machine guns to try to escape, the gate lady fires a machine gun at the windshield, and eventually Bond crashes his car and they capture him.

All in all, this Goldfinger – DB5 car chase is a great chase scene, with lots of nuances.  And one that makes sense in this film.   And now Bond is captured . . .

Goldfinger – “No Mr. Bond I expect you to die!”

Goldfinger – “No Mr. Bond I expect you to die!”

After the car crash, and after Tilly Masterson, Jill Masterson’s sister, is killed by Oddjob, Bond now is in Goldfinger’s control.   He finds himself strapped to a metal table, as Goldfinger is about to demonstrate his laser beam.  Here in the film, the laser beam is directed at the base of the table.  It then is guided to rise-up between Bond’s legs, into his crotch and eventually kill him.   In the book by Fleming, it was a table saw.

The book was published March 23, 1959, while the laser was not invented until 1960.   The first working laser was built on May 16, 1960, by Theodore H. Maiman at Hughes Research Laboratories based on the theoretical work of Charles Hard Townes and Arthur Leonard Schawlow.

Goldfinger – The LASER and “No Mr. Bond I expect you to die!”

The term laser came to be an  acronym for “Light Amplification by Stimulated Emission of Radiation.”   Again, EON Productions was clever at integrating a real-life happening, the invention of the laser, into this film which was being shot in 1963 for release in 1964.  And at the time, this was a very high-tech scene in Goldfinger!  We cannot think of another film using a laser before Goldfinger, so here is another first for EON Productions!

This scene is famous the world over for the laser, and for the dialogue: Bond: “ You expect me to talk?” Goldfinger – “No Mr. Bond I expect you to die!”

A couple of noteworthy facts:

  1. Notice that Goldfinger is again wearing something gold – the lapels of his jacket are gold!
  2. When they were filming this scene, of course, the laser was a post-production add-in – they weren’t really using a laser. Instead, to get the important visual of the metal being cut by the laser, one of the production staff was beneath the table with a blow-torch and was cutting through the metal, making Sean Connery genuinely nervous!
  3. Goldfinger reveals the three things he loves about gold: “All my life I’ve been in love with it’s color, its brilliance, its divine heaviness.”

It is another scene where Bond was to be killed by a more elaborate scheme than necessary.  But, it is burned into people’s memories (pun intended) as one of the best scenes from any Bond movie, even any spy movie.

And of course, Bond does survive this.  He convinces Goldfinger that he, Bond, is worth more alive than dead because of his potential knowledge of Operation Grand Slam.

This is another great Ken Adam set design and joins other spectacular sets in Goldfinger.

“I must be dreaming”

“I must be dreaming”  Bond finds himself on the bad side of Goldfinger as he awakes aboard Goldfinger’s Lockheed Jetstar private jet.  He had been knocked out with a tranquilizer gun, and his vision is blurry as he focuses on the face of a woman.

When she is in focus, he asks, “Who are you?”  When she answers, “My name is Pussy Galore” Bond delivers one of our favorite lines: “I must be dreaming.”   Pussy Galore, played by Honor Blackman, is one of the best Bond girls in the series.   She is sexy and strong.  In the book, she is a lesbian, in the film, it comes across that she might be, as she seems disinterested in men.  She tells, Bond, “You can turn off the charm.  I’m immune.”

It is a super clip, and Pussy is dominating in this scene and is in complete control.  Honey Rider, in Dr. No, was strong too, like Pussy.  So we are seeing strong female roles early in Bond movies, and we will see more in other spy movies to come.   For one, think of the 2017 movie, “Atomic Blonde.”

This clip reinforces just how wealthy Mr. Goldfinger: The Lockheed Jetstar was produced in the early 1960s to the 1970s.  In 1972, this model was worth $2.8 million dollars.  So in 1964, it was probably worth well over $1 million dollars.   Additionally, Goldfinger has a private pilot.  Plus an attendant aboard.   And he flew ahead – we’re thinking not coach on a commercial flight!  This gold passion of his has paid off handsomely as far as we can tell.

Bond orders a martini, shaken, not stirred, and tries to get Pussy to respond to his quips about Operation Grand Slam.  She is tough and does not fall for his advances.

Goldfinger Reveals Operation Grand Slam Plan to Mob Bosses

Goldfinger reveals Operation Grand Slam to Mob Bosses

At Goldfinger’s Kentucky stud farm, Goldfinger reveals his plan to target Fort Knox to the American mobsters in attendance, who each ponied up $1 million in gold to participate in the plan.

The Set of Goldfinger’s Play Room

Ken Adam outdoes himself with this set, as it is a fabulous, richly wooded and paneled room.  There is a revolving pool table that reveals a control panel.   From it, Goldfinger controls enforced window shutters, can project a map of Fort Knox and more.  It even retracts the floor to reveal a 3D map of Fort Knox and the surrounding area.

One of our favorite James Bond sets.  As you watch this clip, notice the detail, the richness, the wealth this room reveals.   Our only gripe is the mobsters are made to look amateurish, and almost comical.  And this would not accurately represent the violent and unforgiving nature of mobsters in the United States.  They are more like Goldfinger than unlike Goldfinger and are not easily tricked or deceived.

Bond escapes from his cell in time to poke his head up from below the 3D model to overhear the Operation Grand Slam name.  Pussy Galore catches him.

Mr. Solo Wants Out of Operation Grand Slam – and the Mobsters Die

In the scene, Mr. Solo wants out of the deal, and Goldfinger excuses himself to take care of Mr. Solo, load his bricks of gold into the Lincoln so that Oddjob could drive Mr. Solo to the airport.   Of course, we wonder, was this going to be checked luggage or carry-on?!  In any event, we need not worry, as Oddjob will be driving Mr. Solo to his “pressing engagement,” as we will see a few clips from now.

In the meantime, Goldfinger’s henchmen,  gas the rest of the mob guys, killing them, so he could keep their gold as well.  As an aside, Goldfinger would have a lot of American mobsters after him after this little cross, and probably would never make it to Fort Knox!

You will notice again, here, Goldfinger is wearing a gold vest – keeping with his love of gold.

This scene also reveals how unfazed Goldfinger and his organization are with killing people.   He reveals here that there are 41,000 troops protecting Fort Knox.   Later, when Bond and Goldfinger are drinking a mint julep, the number 60,000 comes up.   Regardless, Goldfinger has no qualms about killing them all.  He loves only gold.

Goldfinger – Car Tailing Scene and Iron and Metal Yard

Car Tailing Scene and Iron and Metal Yard – In this clip, Oddjob is supposedly driving Mr. Solo to the airport somewhere in Kentucky (USA).  In the trunk of the Lincoln is Mr. Solo’s million dollars worth of gold.   As we recall, Mr. Solo did not want any part of Operation Grand Slam (the Fort Knox plan) and Goldfinger let him out.

Bond in the meantime had wrapped his homing device into a piece of paper that warned of the attack on Fort Knox, and slipped it into Mr.  Solo’s suit pocket thinking Felix Leiter would track him and discover the plan in time.  But time is pressing, and short for Mr. Solo.

This is a critical scene for several reasons:

  1. we see again how ruthless Goldfinger is;
  2. Bond’s message will not get through to the authorities, because his homing device will cease to work when the Lincoln is crushed along with Solo and the gold; and
  3.  Oddjob is a direct follower of orders – shooting Mr. Solo on order and crushing him in the Lincoln.   Oddjob is happy to kill for Goldfinger.

SpyMovieNavigator On Location!  Yes!  The Iron and Metal Yard!

SpyMovieNavigator has been to all three major locations for this scene.   Though the scenes were purportedly in Kentucky, at Goldfinger’s stud farm, and surround, they weren’t shot there. The Lincoln drive, the iron and metal crushing yard, the Kentucky Fried Chicken where Leiter and simmons were waiting – all shot in Miami.   You can see our onsite videos here of the Kentucky Fried Chicken shop, the route Oddjob takes to the metal and iron yard, and the actual real metal and iron yard as it appears today.

We will see this ruthless disregard for life in many Bond, Bourne and Mission: Impossible movies.  Drax in Moonraker, for instance, was willing to kill the entire human population, except for those selected for his ark-type space station.  That makes Goldfinger, willing to kill 41,000 – 60,000 people look like a light-weight.

Goldfinger – Real Fort Knox Plan Revealed

Fort Knox plan revealed – The scene is very comfortable, where Bond is not in immediate danger, and where Bond figures out the Fort Knox plan.    The setting is very idyllic on Goldfinger’s stud farm, with a breeze blowing, beautiful sunshine and lighting, and both Goldfinger and Bond enjoying a mint julep.

A mint julep is a drink invented in the southern United States in the 1700s, yet when asked if he wants a mint julep, Bond says, yes, “sour mash but not too sweet.”  Just a worldly spy.  Felix Leiter and Simmons observe from behind a fence with binoculars.

Bond Learns of the Real Fort Knox Plan

Goldfinger is confident in Operation Grand Slam, and let’s Bond draw his own conclusions.   Bond initially thinks Goldfinger was going to break into the world’s largest bank and steal all of the gold, removing it all from Fort Knox.

Bond works out the math to show it is impossible, and Goldfinger just smirks.   Then it dawns on Bond: Goldfinger’s plan is to explode a nuclear device within Fort Knox.  By so doing, that would radiate the gold, contaminating it for, what Goldfinger says, 58 years to be exact.  Bond now thinks the plan is brilliant.

In the book, Goldfinger does plan to remove the gold, but here in the movie, the producers and writers make it a much more realistic plan with a higher degree of success by exploding a dirty bomb within Fort Knox.   The concept of dirty bombs in the early 1960s was very real – they could be made.  It is brilliant, and the exchange between Goldfinger and Bond here is tightly written, and very believable.

Goldfinger is a Ruthless Killer

Goldfinger knows the nerve gas will kill, not just incapacitate, the people who are exposed to it.  But killing 60,000 people does not bother Goldfinger.   We also discover that Goldfinger intends to bring Bond to Fort Knox during the assault.   He will be there, but “too closely for comfort. I’m afraid.”

The scene ends, reminding us of Mr. Solo’s fate.  Oddjob pulls up in the blue 1964 Ford Ranchero, with the cube of metal from the crushed Lincoln, Mr. Solo, and his gold, in the rear.  Goldfinger says to Bond, “Forgive me., Mr. Bond, but I must arrange to separate my gold from the late Mr. Solo.”   Neither Oddjob nor Goldfinger have any qualms about killing.

So we move from an idyllic setting, with mint juleps and cool breezes to the cold-hearted reality of how evil Goldfinger really is.

Note: Goldfinger is wearing a gold vest in this scene, again, always wearing something gold.  He loves only gold!  Supposedly set at Goldfinger’s stud farm in Kentucky, this scene was shot at Pinewood Studios in London.  Now Bond knows of the real Fort Knox plan which has been revealed.  So Bond must die.  Again, we see a plan to kill Bond in an elaborate way – this time, bringing him to Fort Knox, and, as we will discover, handcuffing him to the nuclear device.  These evil geniuses are always confident in their complex methods of killing Bond!

It is a psychological thing with megalomaniacs – they want their victims to know who is in control, and have enough time to think about it.

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